In this Issue

Table of Contents

Editors’ Foreword

Donald Crafton, Susan Ohmer
pp. vi-viii
DOI: https://doi.org/10.5749/movingimage.18.1.00vi
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Where “Post-Race” Happens: National Basketball Association Branding and the Recontextualization of Archival Sports Footage

Timothy J. Piper
pp. 1-24
DOI: https://doi.org/10.5749/movingimage.18.1.0001
free access

The Hidden History of the American Film Institute: The Cold War, Arts Policy, and American Film Preservation

Brian Real
pp. 25-47
DOI: https://doi.org/10.5749/movingimage.18.1.0025
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“Why I Am Ashamed of the Movies”: Editorial Policy, Early Hollywood, and the Case of Camera!

Peter Lester
pp. 48-66
DOI: https://doi.org/10.5749/movingimage.18.1.0048
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Under Threat: One Archive’s Tale from the 2017 Napa and Sonoma County Fires

James Mockoski, Courtney Garcia
pp. 67-75
DOI: https://doi.org/10.5749/movingimage.18.1.0067
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RKO’s Studio Archive: The Golden Years

Anthony Slide, Richard Jewell, Robert Carringer
pp. 75-80
DOI: https://doi.org/10.5749/movingimage.18.1.0075
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Building a Crowdsourcing Platform for the Analysis of Film Colors

Barbara Flueckiger, Gaudenz Halter
pp. 80-83
DOI: https://doi.org/10.5749/movingimage.18.1.0080
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Teaching (Like) Hannah Frank (1984–2017): A Tribute

Mihaela Mihailova, Jen Bircher, Robert Bird, Mariana Johnson, Ian Bryce Jones, Ryan Pierson, Alla Gadassik, Tim Palmer
pp. 84-92
DOI: https://doi.org/10.5749/movingimage.18.1.0084
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A Deal with the Devil: Bill Morrison on Dawson City: Frozen Time

Donald Crafton, Bill Morrison
pp. 92-103
DOI: https://doi.org/10.5749/movingimage.18.1.0092
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Treasures from the Library of Congress (review)

Richard Lewis Ward
pp. 104-107
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