Project MUSE - Film & History: An Interdisciplinary Journal-Volume 48, Number 2, Winter 2018

The Hagiography of Nat Turner in The Birth of a Nation (review)

Loren Baybrook, Gorman Beauchamp

pp. 6-10

DOI: https://doi.org/10.1353/flm.2018.0027

Chappaquiddick by John Curran (review)

Cynthia Miller, A. Bowdoin Van Riper

pp. 10-14

DOI: https://doi.org/10.1353/flm.2018.0028

Dawson City: Frozen Time by Bill Morrison (review)

Curtis Russell

pp. 14-16

DOI: https://doi.org/10.1353/flm.2018.0029

American Made by Doug Liman (review)

Michael Ray FitzGerald

pp. 16-17

DOI: https://doi.org/10.1353/flm.2018.0030

Rumble: The Indians Who Rocked the World by Catherine Bainbridge, Alfonso Maiorana (review)

Tom Shaker

pp. 17-19

DOI: https://doi.org/10.1353/flm.2018.0031

Bad Times at the El Royale by Drew Goddard (review)

John C. Tibbetts

p. 20

DOI: https://doi.org/10.1353/flm.2018.0032

The Lady from Shanghai by Orson Welles (review)

Georden West

pp. 21-22

DOI: https://doi.org/10.1353/flm.2018.0033

Dirty Harry’s America: Clint Eastwood, Dirty Harry, and the Conservative Backlash by Joe Street (review)

Paul Cohen, Deborah Allison

pp. 23-25

DOI: https://doi.org/10.1353/flm.2018.0034

The Subject of Torture: Psychoanalysis & Biopolitics in Television & Film by Hilary Neroni (review)

Douglas MacLeod Jr.

pp. 25-27

DOI: https://doi.org/10.1353/flm.2018.0035

The Politics and Poetics of Cinematic Realism by Hermann Kappelhoff (review)

Raymond Deluca

pp. 28-30

DOI: https://doi.org/10.1353/flm.2018.0036

Understanding Sound Tracks Through Film Theory by Elsie Walker, and: Sound: Dialogue, Music, and Effects ed. by Kathryn Kalinak

Nick Poulakis

pp. 30-34

DOI: https://doi.org/10.1353/flm.2018.0037

British Rural Landscapes on Film ed. by Paul Newland (review)

Erzsébet Stróbl

pp. 34-37

DOI: https://doi.org/10.1353/flm.2018.0038

The Fighting Sullivans: How Hollywood and the Military Make Heroes by Bruce Kuklick (review)

Bernard F. Dick

pp. 37-39

DOI: https://doi.org/10.1353/flm.2018.0039

Compound Cinematics: Akira Kurosawa and I by Shinobu Hashimoto (review)

Matthew Fullerton

pp. 39-42

DOI: https://doi.org/10.1353/flm.2018.0040

Climate Trauma by E. Ann Kaplan (review)

Dafna Kaufman

pp. 43-44

DOI: https://doi.org/10.1353/flm.2018.0041

Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India by Manishita Dass (review)

Anila Gill

pp. 44-46

DOI: https://doi.org/10.1353/flm.2018.0042

Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908–1934 by Laura Horak (review)

Aurore Spiers

pp. 47-49

DOI: https://doi.org/10.1353/flm.2018.0043

Cecil Hepworth: and the Rise of the British Film Industry 1899–1911 by Simon Brown (review)

Peter Niehoff

pp. 50-52

DOI: https://doi.org/10.1353/flm.2018.0044

The Hollywood War Film: Critical Observations from World War I to Iraq by Daniel Binns (review)

Pearl James

pp. 53-55

DOI: https://doi.org/10.1353/flm.2018.0045

Representing Talent: Hollywood Agents and the Making of Movies by Violaine Roussel (review)

Laurel Carlson

pp. 55-57

DOI: https://doi.org/10.1353/flm.2018.0046

Los Angeles Documentary and the Production of Public History, 1958–1977 by Joshua Glick (review)

Jerald Podair

pp. 57-58

DOI: https://doi.org/10.1353/flm.2018.0047

Notions of Genre: Writings on Popular Film Before Genre Theory ed. by Barry Keith Grant, Malisa Kurtz (review)

Christina Parker-Flynn

pp. 59-61

DOI: https://doi.org/10.1353/flm.2018.0048

Douglas Sirk, Aesthetic Modernism and the Culture of Modernity by Victoria Evans (review)

Chad Trevitte

pp. 61-64

DOI: https://doi.org/10.1353/flm.2018.0049

The Screen Is Red: Hollywood, Communism, and the Cold War by Bernard F. Dick (review)

Kevin Brianton

pp. 64-67

DOI: https://doi.org/10.1353/flm.2018.0024

Politicking and Emergent Media: US Presidential Elections of the 1890s by Charles Musser (review)

Gary D. Rhodes

pp. 67-69

DOI: https://doi.org/10.1353/flm.2018.0025

Animating the Science Fiction Imagination by J. P. Telotte (review)

Wolfgang Boehm

pp. 69-72

DOI: https://doi.org/10.1353/flm.2018.0026

ISSN	1548-9922
Print ISSN	0360-3695
Launched on MUSE	2018-12-31
Open Access	No

Film & History: An Interdisciplinary Journal

In this Issue

Volume 48, Number 2, Winter 2018

published by

viewing issue

Table of Contents