1. The Hagiography of Nat Turner in The Birth of a Nation (review)
  2. Loren Baybrook, Gorman Beauchamp
  3. pp. 6-10
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  1. Chappaquiddick by John Curran (review)
  2. Cynthia Miller, A. Bowdoin Van Riper
  3. pp. 10-14
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  1. Dawson City: Frozen Time by Bill Morrison (review)
  2. Curtis Russell
  3. pp. 14-16
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  1. American Made by Doug Liman (review)
  2. Michael Ray FitzGerald
  3. pp. 16-17
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  1. Rumble: The Indians Who Rocked the World by Catherine Bainbridge, Alfonso Maiorana (review)
  2. Tom Shaker
  3. pp. 17-19
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  1. Bad Times at the El Royale by Drew Goddard (review)
  2. John C. Tibbetts
  3. p. 20
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  1. The Lady from Shanghai by Orson Welles (review)
  2. Georden West
  3. pp. 21-22
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  1. Dirty Harry’s America: Clint Eastwood, Dirty Harry, and the Conservative Backlash by Joe Street (review)
  2. Paul Cohen, Deborah Allison
  3. pp. 23-25
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  1. The Subject of Torture: Psychoanalysis & Biopolitics in Television & Film by Hilary Neroni (review)
  2. Douglas MacLeod Jr.
  3. pp. 25-27
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  1. The Politics and Poetics of Cinematic Realism by Hermann Kappelhoff (review)
  2. Raymond Deluca
  3. pp. 28-30
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  1. Understanding Sound Tracks Through Film Theory by Elsie Walker, and: Sound: Dialogue, Music, and Effects ed. by Kathryn Kalinak
  2. Nick Poulakis
  3. pp. 30-34
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  1. British Rural Landscapes on Film ed. by Paul Newland (review)
  2. Erzsébet Stróbl
  3. pp. 34-37
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  1. The Fighting Sullivans: How Hollywood and the Military Make Heroes by Bruce Kuklick (review)
  2. Bernard F. Dick
  3. pp. 37-39
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  1. Compound Cinematics: Akira Kurosawa and I by Shinobu Hashimoto (review)
  2. Matthew Fullerton
  3. pp. 39-42
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  1. Climate Trauma by E. Ann Kaplan (review)
  2. Dafna Kaufman
  3. pp. 43-44
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  1. Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India by Manishita Dass (review)
  2. Anila Gill
  3. pp. 44-46
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  1. Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908–1934 by Laura Horak (review)
  2. Aurore Spiers
  3. pp. 47-49
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  1. Cecil Hepworth: and the Rise of the British Film Industry 1899–1911 by Simon Brown (review)
  2. Peter Niehoff
  3. pp. 50-52
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  1. The Hollywood War Film: Critical Observations from World War I to Iraq by Daniel Binns (review)
  2. Pearl James
  3. pp. 53-55
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  1. Representing Talent: Hollywood Agents and the Making of Movies by Violaine Roussel (review)
  2. Laurel Carlson
  3. pp. 55-57
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  1. Los Angeles Documentary and the Production of Public History, 1958–1977 by Joshua Glick (review)
  2. Jerald Podair
  3. pp. 57-58
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  1. Notions of Genre: Writings on Popular Film Before Genre Theory ed. by Barry Keith Grant, Malisa Kurtz (review)
  2. Christina Parker-Flynn
  3. pp. 59-61
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  1. Douglas Sirk, Aesthetic Modernism and the Culture of Modernity by Victoria Evans (review)
  2. Chad Trevitte
  3. pp. 61-64
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  1. The Screen Is Red: Hollywood, Communism, and the Cold War by Bernard F. Dick (review)
  2. Kevin Brianton
  3. pp. 64-67
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  1. Politicking and Emergent Media: US Presidential Elections of the 1890s by Charles Musser (review)
  2. Gary D. Rhodes
  3. pp. 67-69
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  1. Animating the Science Fiction Imagination by J. P. Telotte (review)
  2. Wolfgang Boehm
  3. pp. 69-72
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