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Table of Contents

  1. Invitation and Engagement: Ideology and Wilkins's Philosophical Language
  2. Robert E. Stillman
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/con.1995.0006
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  1. The Pathology of Painting: Tuberculosis as a Metaphor in the Art Theory of Kazimir Malevich
  2. Matthew George Looper
  3. pp. 27-46
  4. DOI: https://doi.org/10.1353/con.1995.0005
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  1. The Scientific Imperative: Improductive Expenditure and Energeticism
  2. Lysa Hochroth
  3. pp. 47-77
  4. DOI: https://doi.org/10.1353/con.1995.0001
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  1. Encoding an Infinite Message: Richard Powers's Gold Bug Variations
  2. Jay A. Labinger
  3. pp. 79-93
  4. DOI: https://doi.org/10.1353/con.1995.0004
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  1. The Rise of Public Science: Rhetoric, Technology, and Natural Philosophy in Newtonian Britain, 1600-1750
  2. Lissa Louise Roberts
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/con.1995.0007
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  1. Complementarity: Anti-epistemology after Bohr and Derrida
  2. James H. Bunn
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/con.1995.0008
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  1. Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Films
  2. J.P. Telotte
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/con.1995.0002
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  1. Contributors
  3. pp. 103-104
  4. DOI: https://doi.org/10.1353/con.1995.0003
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