1. Poetry Editor's Note
  2. pp. 6-7
  3. DOI: 10.1353/ner.2018.0098
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  1. Trying to Figure Out the World, and; Flower-heads
  2. Diane Glancy
  3. pp. 8-9
  4. DOI: 10.1353/ner.2018.0099
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  1. Parrot on a Stone Plinth
  2. Jennifer Stock
  3. pp. 10-18
  4. DOI: 10.1353/ner.2018.0100
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  1. Soprano Tough Orange, and: The Bear, and: Snowover
  2. Susan Mitchell
  3. pp. 19-24
  4. DOI: 10.1353/ner.2018.0101
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  1. Protozoa
  2. Ella Martinsen Gorham
  3. pp. 25-37
  4. DOI: 10.1353/ner.2018.0102
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  1. Brown Girl Mixtape
  2. Barbara Jane Reyes
  3. pp. 38-40
  4. DOI: 10.1353/ner.2018.0103
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  1. I Haul a House Out of the Bay
  2. Jane Wong
  3. p. 41
  4. DOI: 10.1353/ner.2018.0104
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  1. Indoor Animals
  2. Noah Bogdonoff
  3. pp. 42-47
  4. DOI: 10.1353/ner.2018.0105
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  1. Three Days of Confession, and: Conventional Hero, and: Plain Sight
  2. David Biespiel
  3. pp. 48-50
  4. DOI: 10.1353/ner.2018.0106
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  1. Greenhouse
  2. Michael Byers
  3. pp. 51-52
  4. DOI: 10.1353/ner.2018.0107
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  1. Langston won't stay in his grave
  2. Lynne Thompson
  3. p. 53
  4. DOI: 10.1353/ner.2018.0108
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  1. Antipastoral
  2. Chelsea Dingman
  3. p. 54
  4. DOI: 10.1353/ner.2018.0109
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  1. Chimera
  2. Joan Li
  3. pp. 55-65
  4. DOI: 10.1353/ner.2018.0110
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  1. Self-Portrait as the Winter Sea
  2. Gavin Yuan Gao
  3. pp. 66-67
  4. DOI: 10.1353/ner.2018.0111
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  1. Borders and Crossings
  2. Douglas Silver
  3. pp. 68-91
  4. DOI: 10.1353/ner.2018.0112
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  1. Rotation
  2. Christopher Salerno
  3. p. 92
  4. DOI: 10.1353/ner.2018.0113
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  1. Ivan Fyodorovich Shponka and His Auntie
  2. Nikolai Gogol, Michael R. Katz
  3. pp. 93-111
  4. DOI: 10.1353/ner.2018.0114
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  1. Dysphonia
  2. Jon William Stout
  3. pp. 112-113
  4. DOI: 10.1353/ner.2018.0115
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  1. Overlooking Guantánamo
  2. Stephen Benz
  3. pp. 114-128
  4. DOI: 10.1353/ner.2018.0116
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  1. Meditations, with an Image Borrowed from Félix González-Torres
  2. Trevor Ketner
  3. pp. 129-130
  4. DOI: 10.1353/ner.2018.0117
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  1. Lisbon, June 2016: A Brief, Very Personal History of Portuguese Literature in Three Mind Paintings
  2. Peter LaSalle
  3. pp. 131-149
  4. DOI: 10.1353/ner.2018.0118
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  1. from Bach in Autumn
  2. Jean-Paul de Dadelsen, Marilyn Hacker
  3. pp. 150-153
  4. DOI: 10.1353/ner.2018.0119
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  1. The Eleventh Happiest Country
  2. Joan Leegant
  3. pp. 154-163
  4. DOI: 10.1353/ner.2018.0120
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  1. The Unmaking
  2. Katherine E. Standefer
  3. pp. 164-175
  4. DOI: 10.1353/ner.2018.0121
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  1. Ode to the Peacock
  2. Benjamin Garcia
  3. p. 176
  4. DOI: 10.1353/ner.2018.0122
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  1. The Erotic Wounds of War
  2. Paisley Rekdal
  3. pp. 177-193
  4. DOI: 10.1353/ner.2018.0123
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  1. Arriving at Corfu
  2. Constance Fenimore Woolson
  3. pp. 194-196
  4. DOI: 10.1353/ner.2018.0124
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  1. Contributors' Notes
  2. pp. 197-201
  3. DOI: 10.1353/ner.2018.0125
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