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  1. Leonardo Music Journal 28
  2. Andrea Polli
  3. pp. 1-2
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  1. The Migration of Data and Other Life Forms: A Sound Installation for the 70th Anniversary of the Darmstadt Summer Courses
  2. Nicolás Varchausky
  3. pp. 3-7
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  1. Heavy Metal: An Interactive Environmental Art Installation
  2. Nigel Helyer, John Potts, Mark Patrick Taylor
  3. pp. 8-12
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  1. On Stockhausen's Solo(s): Beyond Interpretation
  2. Juan Parra Cancino, Johannes Mulder
  3. pp. 13-18
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  1. A Musical Suite Composed by an Electronic Brain: Reexamining the Illiac Suite and the Legacy of Lejaren A. Hiller Jr.
  2. Tiffany Funk
  3. pp. 19-24
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  1. Two Faces of a Cathedral: Ákos Rózmann's Black Illusions and Organ Piece No. III/a
  2. Gergely Loch
  3. pp. 25-39
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  1. Sound Technologies as Agency-Granting Prosthesis to Vocal Body
  2. Kristina Warren
  3. pp. 30-33
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  1. Beyond Schemata in Collective Improvisation: A Support Tool for Music Interactions
  2. Stefano Kalonaris
  3. pp. 34-37
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  1. The Music of Human Hormones
  2. Tsvetana Ivanova, Leandar Litov, Rositza Marinova, Todor Ivanov, Mihail Iossifov, Agnieshka Deynovitch
  3. pp. 38-46
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  1. Artists' Statements: Translating Historically Reflexive Perceiving from Visual to Sonic Art
  2. Camille Robinson
  3. pp. 47-48
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  1. The Public Utteraton Machines: Recording What People Think of Public Art in New York City
  2. Rebecca Hackemann
  3. pp. 48-50
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  1. Listening To Wetland Soundscapes
  2. Felipe Otondo
  3. pp. 50-52
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  1. Crossing the Muddy Field of Witness, Calling the Lonely Crowd: A Walk to Meet a Sound
  2. Elizabeth Mcternan, Luke Wolcott
  3. pp. 53-59
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  1. Sound Straight Ahead: Parametric Speakers in Two Soundscape Installations
  2. Marco Alunno
  3. pp. 60-64
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  1. Experimental Sound Mixing for The Well, a Short Film Made for Tablets
  2. Karen Collins, Ruth Dqckwray
  3. pp. 65-71
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  1. Notation by Context: Digital Scenography as Artifact of Authorial Intent
  2. Caitlin Vincent, Jordan Beth Vincent
  3. pp. 72-76
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  1. Using Psychological Principles of Memory Storage and Preference to Improve Music Recommendation Systems
  2. Anthony Chmiel, Emery Schubert
  3. pp. 77-81
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  1. Collaboration and Consensus in Listening:
  2. Anna Barney, Salomé Voegelin
  3. pp. 82-87
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  1. Figures of Speech: Oral History as an Agent of Form in Electroacoustic Music
  2. John Young
  3. pp. 88-94
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  1. LMJ28 Audio: Sonic Commentary Audio Series Volume 28
  2. p. 95
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  1. 2018 Author Index: Leonardo Volume 51 and Leonardo Music Journal Volume 28
  2. pp. 100-105
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  1. The Network
  2. pp. 106-107
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  1. Leonardo: The International Society for the Arts, Sciences and Technology
  2. pp. 108-109
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