+ MUSE Alert

In this Issue

Table of Contents

  1. Prologue
  2. Elizabeth R. Wright
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/boc.2018.0000
  5. restricted access
  1. Desenlaces Problemáticos en comedias de Ruiz de Alarcón
  2. Ignacio Arellano
  3. pp. 11-31
  4. DOI: https://doi.org/10.1353/boc.2018.0001
  5. restricted access
  1. The Mirror in Albion: Spanish Theatrical Reimaginings of Queen Elizabeth I and Mary Stuart
  2. Kelsey J. Ihinger
  3. pp. 33-57
  4. DOI: https://doi.org/10.1353/boc.2018.0002
  5. restricted access
  1. Bad Faith? The Weak and Feeble Will of Antonio Coello's Elizabeth I
  2. Roy Norton
  3. pp. 59-77
  4. DOI: https://doi.org/10.1353/boc.2018.0003
  5. restricted access
  1. Una nueva herramienta para el estudio del teatro clásico español: Calderón Digital. Base de datos, argumentos y motivos del teatro de Calderón
  2. Fausta Antonucci
  3. pp. 79-95
  4. DOI: https://doi.org/10.1353/boc.2018.0004
  5. restricted access
  1. Du nom au genre. Lope de Vega, la Tragedia et son public by Florence d'Artois (review)
  2. Margaret R. Greer
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/boc.2018.0005
  5. restricted access
  1. The Routledge Research Companion to Early Modern Spanish Women Writers ed. by Nieves Baranda and Anne J. Cruz (review)
  2. Allyson M. Poska
  3. pp. 101-104
  4. DOI: https://doi.org/10.1353/boc.2018.0006
  5. restricted access
  1. El mayor monstruo del mundo y El mayor monstruo los celos by Pedro Calderón de la Barca (review)
  2. Francisco Javier López Martín
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/boc.2018.0007
  5. restricted access
  1. At the First Table: Food and Social Identity in Early Modern Spain by Jodi Campbell (review)
  2. Marie A. Kelleher
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/boc.2018.0008
  5. restricted access
  1. Comedias y tragedias by Miguel de Cervantes (review)
  2. Javier Patiño Loira
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/boc.2018.0009
  5. restricted access
  1. Conversions: Gender and Religious Change in Early Modern Europe ed. by Simon Ditchfield and Helen Smith (review)
  2. Jessica J. Fowler
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/boc.2018.0010
  5. restricted access
  1. A Companion to Celestina ed. by Enrique Fernández (review)
  2. E. Michael Gerli
  3. pp. 123-127
  4. DOI: https://doi.org/10.1353/boc.2018.0011
  5. restricted access
  1. The Mind of the Book: Pictorial Title-Pages by Alastair Fowler (review)
  2. José Luis Gonzalo Sánchez-Molero
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/boc.2018.0012
  5. restricted access
  1. Rural Revisions of Golden Age Drama: Performance of History, Production of Space by Elena García-Martín (review)
  2. Christopher D. Gascón
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/boc.2018.0013
  5. restricted access
  1. The End of Iberian Rule on the American Continent, 1770–1830 by Brian R. Hamnett (review)
  2. Alejandro Cañeque
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/boc.2018.0014
  5. restricted access
  1. Studies in Honor of Robert ter Horst by Eleanor ter Horst, Edward Friedman, and Ali Shehzad Zaidi (review)
  2. Adrienne L. Martín
  3. pp. 141-144
  4. DOI: https://doi.org/10.1353/boc.2018.0015
  5. restricted access
  1. Royal Favouritism and the Governing Elite of the Spanish Monarchy, 1640–1665 by Alistair Malcolm (review)
  2. Antonio Feros
  3. pp. 145-149
  4. DOI: https://doi.org/10.1353/boc.2018.0016
  5. restricted access
  1. Front Lines: Soldiers' Writing in the Early Modern Hispanic World by Miguel Martínez (review)
  2. Glen Carman
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/boc.2018.0017
  5. restricted access
  1. Motivos amorosos del teatro renacentista: la Égloga de Plácida y Vitoriano de Juan del Encina y la anónima Comedia serafina by Laura Mier Pérez (review)
  2. Benjamin J. Nelson
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/boc.2018.0018
  5. restricted access
  1. Childhood, Education and the Stage in Early Modern England ed. by Richard Preiss and Deanne Williams (review)
  2. Marianne Novy
  3. pp. 159-164
  4. DOI: https://doi.org/10.1353/boc.2018.0019
  5. restricted access
  1. Who Should Rule? Men of Arms, the Republic of Letters, and the Fall of the Spanish Empire by Mónica Ricketts (review)
  2. Juan Luis Simal
  3. pp. 165-169
  4. DOI: https://doi.org/10.1353/boc.2018.0020
  5. restricted access
  1. Playing the Martyr: Theater and Theology in Early Modern France by Christopher Semk (review)
  2. Katherine Ibbett
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/boc.2018.0021
  5. restricted access
  1. Història de la Literatura Catalana, volum IV. Literatura moderna. Renaixement, Barroc i II·lustració ed. by Josep Solervicens (review)
  2. Albert Lloret
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/boc.2018.0022
  5. restricted access
  1. Admiration and Awe: Morisco Buildings and Identity Negotiations in Early Modern Spanish Historiography by Antonio Urquízar-Herrera (review)
  2. Katherine Van Liere
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/boc.2018.0023
  5. restricted access
  1. Exquisite Slaves: Race, Clothing, and Status in Colonial Lima by Tamara J. Walker (review)
  2. Miguel A. Valerio
  3. pp. 183-185
  4. DOI: https://doi.org/10.1353/boc.2018.0024
  5. restricted access
  1. Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500–1800 ed. by Evelyn Welch (review)
  2. Laura R. Bass
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/boc.2018.0025
  5. restricted access