1. Editor's Note
  2. John David Zuern
  3. pp. vii-viii
  4. DOI: 10.1353/bio.2018.0053
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  1. "Freaky" Asian Americans, Hip-Hop, and Musical Autobiography: An Introduction
  2. Roderick N. Labrador
  3. pp. 473-483
  4. DOI: 10.1353/bio.2018.0054
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  1. "Bad Gal" and the "Bad" Refugee: Refugee Narratives, Neoliberal Violence, and Musical Autobiography in Honey Cocaine's Cambodian Canadian Hip-Hop
  2. Kenneth Chan
  3. pp. 484-508
  4. DOI: 10.1353/bio.2018.0055
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  1. Redefined What is Meant to Be Divine: Prayer and Protest in Blue Scholars
  2. Mark Redondo Villegas
  3. pp. 509-526
  4. DOI: 10.1353/bio.2018.0056
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  1. The Posse Cut as Autobiographical Utterance of Place in the Night Marchers' Three Dots
  2. Ruben Enrique Campos III
  3. pp. 527-549
  4. DOI: 10.1353/bio.2018.0057
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  1. (Re)Writing Contemporary Cantonese Heritage Language and Identity: Examining MC Jin's ABC Album
  2. Melissa Chen, Genevieve Leung
  3. pp. 550-567
  4. DOI: 10.1353/bio.2018.0058
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  1. Narrating Failure: MC Jin's Return to Rap in the United States
  2. Brian Su-Jen Chung
  3. pp. 568-586
  4. DOI: 10.1353/bio.2018.0059
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  1. Beats, Rhymes, and Life in the Ocean of Sound: An Object-Oriented Methodology for Encountering Rap Music
  2. David A. M. Goldberg
  3. pp. 587-606
  4. DOI: 10.1353/bio.2018.0060
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  1. Introduction to Political Biography in Literature and Cinema
  2. Delphine Letort, Joanny Moulin
  3. pp. 607-612
  4. DOI: 10.1353/bio.2018.0061
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  1. French Television and Political Biography
  2. Rémi Fontanel
  3. pp. 613-629
  4. DOI: 10.1353/bio.2018.0062
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  1. Recasting the Iron Lady into Flesh and Blood: Gender Performance and Politics in Three Thatcher Biopics
  2. Nicole Cloarec
  3. pp. 630-653
  4. DOI: 10.1353/bio.2018.0063
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  1. Writing the Life of Ronald Reagan: An Impossible Mission?
  2. Françoise Coste
  3. pp. 654-669
  4. DOI: 10.1353/bio.2018.0064
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  1. From Political Biography to Political Event: The Daens Myth in Literature in Cinema
  2. Gertjan Willems
  3. pp. 670-686
  4. DOI: 10.1353/bio.2018.0065
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  1. Political Life Writing in the Pacific: Reflections on Practice ed. by Jack Corbett and Brij V. Lal (review)
  2. Alexander Mawyer
  3. pp. 687-690
  4. DOI: 10.1353/bio.2018.0066
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  1. Tainted Witness: Why We Doubt What Women Say About Their by Leigh Gilmore (review)
  2. Sarah Brophy
  3. pp. 691-696
  4. DOI: 10.1353/bio.2018.0067
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  1. Picture Bride Stories by Barbara F. Kawakami (review)
  2. Kelli Y. Nakamura
  3. pp. 696-699
  4. DOI: 10.1353/bio.2018.0068
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  1. How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman (review)
  2. Roberta Mock
  3. pp. 699-703
  4. DOI: 10.1353/bio.2018.0069
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  1. Gendered Testimonies of the Holocaust Writing Life by Petra M. Schweitzer (review)
  2. Batsheva Ben-Amos
  3. pp. 704-708
  4. DOI: 10.1353/bio.2018.0070
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  1. Holocaust Memory in the Digital Age Survivors' Stories and New Media Practices by Jeffrey Shandler (review)
  2. Sarah Jefferies
  3. pp. 709-712
  4. DOI: 10.1353/bio.2018.0071
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  1. Back to the Blanket: Recovered Rhetorics and Literacies in American Indian Studies by Kimberly G. Wieser (review)
  2. Lisa King
  3. pp. 712-717
  4. DOI: 10.1353/bio.2018.0072
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  1. Corrigendum
  3. pp. 718-719
  4. DOI: 10.1353/bio.2018.0073
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  1. Nadine Gordimer and the Vices of Biography: A Reply to Hedley Twidle
  2. Ronald Suresh Roberts
  3. pp. 720-723
  4. DOI: 10.1353/bio.2018.0074
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  1. Contributors
  3. pp. 724-729
  4. DOI: 10.1353/bio.2018.0075
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