In this Issue

Table of Contents

Editor's Note

John David Zuern
pp. vii-viii
DOI: https://doi.org/10.1353/bio.2018.0053
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"Freaky" Asian Americans, Hip-Hop, and Musical Autobiography: An Introduction

Roderick N. Labrador
pp. 473-483
DOI: https://doi.org/10.1353/bio.2018.0054
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"Bad Gal" and the "Bad" Refugee: Refugee Narratives, Neoliberal Violence, and Musical Autobiography in Honey Cocaine's Cambodian Canadian Hip-Hop

Kenneth Chan
pp. 484-508
DOI: https://doi.org/10.1353/bio.2018.0055
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Redefined What is Meant to Be Divine: Prayer and Protest in Blue Scholars

Mark Redondo Villegas
pp. 509-526
DOI: https://doi.org/10.1353/bio.2018.0056
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The Posse Cut as Autobiographical Utterance of Place in the Night Marchers' Three Dots

Ruben Enrique Campos III
pp. 527-549
DOI: https://doi.org/10.1353/bio.2018.0057
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(Re)Writing Contemporary Cantonese Heritage Language and Identity: Examining MC Jin's ABC Album

Melissa Chen, Genevieve Leung
pp. 550-567
DOI: https://doi.org/10.1353/bio.2018.0058
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Narrating Failure: MC Jin's Return to Rap in the United States

Brian Su-Jen Chung
pp. 568-586
DOI: https://doi.org/10.1353/bio.2018.0059
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Beats, Rhymes, and Life in the Ocean of Sound: An Object-Oriented Methodology for Encountering Rap Music

David A. M. Goldberg
pp. 587-606
DOI: https://doi.org/10.1353/bio.2018.0060
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Introduction to Political Biography in Literature and Cinema

Delphine Letort, Joanny Moulin
pp. 607-612
DOI: https://doi.org/10.1353/bio.2018.0061
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French Television and Political Biography

Rémi Fontanel
pp. 613-629
DOI: https://doi.org/10.1353/bio.2018.0062
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Recasting the Iron Lady into Flesh and Blood: Gender Performance and Politics in Three Thatcher Biopics

Nicole Cloarec
pp. 630-653
DOI: https://doi.org/10.1353/bio.2018.0063
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Writing the Life of Ronald Reagan: An Impossible Mission?

Françoise Coste
pp. 654-669
DOI: https://doi.org/10.1353/bio.2018.0064
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From Political Biography to Political Event: The Daens Myth in Literature in Cinema

Gertjan Willems
pp. 670-686
DOI: https://doi.org/10.1353/bio.2018.0065
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Reviews

Political Life Writing in the Pacific: Reflections on Practice ed. by Jack Corbett and Brij V. Lal (review)

Alexander Mawyer
pp. 687-690
DOI: https://doi.org/10.1353/bio.2018.0066
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Tainted Witness: Why We Doubt What Women Say About Their by Leigh Gilmore (review)

Sarah Brophy
pp. 691-696
DOI: https://doi.org/10.1353/bio.2018.0067
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Picture Bride Stories by Barbara F. Kawakami (review)

Kelli Y. Nakamura
pp. 696-699
DOI: https://doi.org/10.1353/bio.2018.0068
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How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman (review)

Roberta Mock
pp. 699-703
DOI: https://doi.org/10.1353/bio.2018.0069
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Gendered Testimonies of the Holocaust Writing Life by Petra M. Schweitzer (review)

Batsheva Ben-Amos
pp. 704-708
DOI: https://doi.org/10.1353/bio.2018.0070
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Holocaust Memory in the Digital Age Survivors' Stories and New Media Practices by Jeffrey Shandler (review)

Sarah Jefferies
pp. 709-712
DOI: https://doi.org/10.1353/bio.2018.0071
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Back to the Blanket: Recovered Rhetorics and Literacies in American Indian Studies by Kimberly G. Wieser (review)

Lisa King
pp. 712-717
DOI: https://doi.org/10.1353/bio.2018.0072
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Corrigendum

pp. 718-719
DOI: https://doi.org/10.1353/bio.2018.0073
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Nadine Gordimer and the Vices of Biography: A Reply to Hedley Twidle

Ronald Suresh Roberts
pp. 720-723
DOI: https://doi.org/10.1353/bio.2018.0074
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Contributors

pp. 724-729
DOI: https://doi.org/10.1353/bio.2018.0075
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