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Table of Contents

  1. The Grawemeyer Collection at the University of Louisville: The History of a "Living" Special Collection
  2. Matthew Ertz
  3. pp. 191-206
  4. DOI: https://doi.org/10.1353/not.2018.0094
  5. restricted access
  1. An Unlikely Champion: Rudolf Bing and the Demise of Jim Crow at the Metropolitan Opera
  2. Maurice B. Wheeler
  3. pp. 207-236
  4. DOI: https://doi.org/10.1353/not.2018.0095
  5. restricted access
  1. The Memorial Library Of Music At Stanford University
  2. Mimi Tashiro
  3. pp. 237-260
  4. DOI: https://doi.org/10.1353/not.2018.0096
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected In Notes, 2012–2017
  2. Peter Munstedt
  3. pp. 261-268
  4. DOI: https://doi.org/10.1353/not.2018.0097
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  1. Notes for Notes
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/not.2018.0098
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  1. I Hear a Symphony: Motown and Crossover R&B by Andrew Flory (review)
  2. Christopher M. Reali
  3. pp. 272-275
  4. DOI: https://doi.org/10.1353/not.2018.0099
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  1. Psychedelic Popular Music: A History through Musical Topic Theory by William Echard (review)
  2. Don Traut
  3. pp. 275-277
  4. DOI: https://doi.org/10.1353/not.2018.0100
  5. restricted access
  1. Beyond No Future: Cultures of German Punk ed. by Mirko M. Hall, Seth Howes, and Cyrus M. Shahan (review)
  2. Marci Cohen
  3. pp. 277-280
  4. DOI: https://doi.org/10.1353/not.2018.0101
  5. restricted access
  1. Vinyl Freak: Love Letters to a Dying Medium by John Corbett (review)
  2. Darren Ingram
  3. pp. 280-282
  4. DOI: https://doi.org/10.1353/not.2018.0102
  5. restricted access
  1. Musicians in Transit: Argentina and the Globalization of Popular Music by Matthew B. Karush (review)
  2. Daniel Gough
  3. pp. 282-284
  4. DOI: https://doi.org/10.1353/not.2018.0103
  5. restricted access
  1. Composing for the State: Music in 20th-Century Dictatorships ed. by Esteban Buch, Esteban Buch, and Manuel Deniz Silva (review)
  2. Ivan Moody
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/not.2018.0104
  5. restricted access
  1. English Pastoral Music: From Arcadia to Utopia, 1900–1955 by Eric Saylor (review)
  2. Justin Vickers
  3. pp. 287-290
  4. DOI: https://doi.org/10.1353/not.2018.0105
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  1. Singing the Resurrection: Body, Community, and Belief in Reformation Europe by Erin Lambert (review)
  2. Jennifer S. Thomas
  3. pp. 290-293
  4. DOI: https://doi.org/10.1353/not.2018.0106
  5. restricted access
  1. Gaspar Cassadó: Cellist, Composer and Transcriber by Gabrielle Kaufman (review)
  2. John Moran
  3. pp. 293-296
  4. DOI: https://doi.org/10.1353/not.2018.0107
  5. restricted access
  1. Recollections from My Life: An Autobiography by Adolph Bernhard Marx trans. by Stephen Thomson Moore (review)
  2. Floyd Grave
  3. pp. 296-299
  4. DOI: https://doi.org/10.1353/not.2018.0108
  5. restricted access
  1. Music in Goethe's Faust: Goethe's Faust in Music ed. by Lorraine Byrne Bodley (review)
  2. Sarah Elaine Neill
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/not.2018.0109
  5. restricted access
  1. The Quest for the Gesamtkunstwerk and Richard Wagner by Hilda Meldrum Brown (review)
  2. Anna Stoll Knecht
  3. pp. 301-304
  4. DOI: https://doi.org/10.1353/not.2018.0110
  5. restricted access
  1. Postmodern Music, Postmodern Listening by Jonathan D. Kramer (review)
  2. Twila Bakker
  3. pp. 304-306
  4. DOI: https://doi.org/10.1353/not.2018.0111
  5. restricted access
  1. Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall and Ellen Waterman (review)
  2. Joel V. Hunt
  3. pp. 306-310
  4. DOI: https://doi.org/10.1353/not.2018.0112
  5. restricted access
  1. Harmony in Beethoven by David Damschroder (review)
  2. Paul M. Ellison
  3. pp. 310-313
  4. DOI: https://doi.org/10.1353/not.2018.0113
  5. restricted access
  1. Hearing Harmony: Toward a Tonal Theory for the Rock Era by Christopher Doll (review)
  2. Paul Christiansen
  3. pp. 313-316
  4. DOI: https://doi.org/10.1353/not.2018.0114
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  1. A Dictionary for the Modern Pianist by Stephen Siek (review)
  2. Lisa Woznicki
  3. pp. 316-318
  4. DOI: https://doi.org/10.1353/not.2018.0115
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  1. Choral Monuments: Studies of Eleven Choral Masterpieces by Dennis Shrock (review)
  2. Brian Cockburn
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/not.2018.0116
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 321-325
  4. DOI: https://doi.org/10.1353/not.2018.0117
  5. restricted access
  1. Open Music Library (review)
  2. Bonna J. Boettcher
  3. pp. 326-328
  4. DOI: https://doi.org/10.1353/not.2018.0118
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  1. Isis: Tragédie en musique. Livret de Philippe Quinault. Édition de Lionel Sawkins by Jean-Baptiste Lully (review)
  2. Rebekah Ahrendt
  3. pp. 329-334
  4. DOI: https://doi.org/10.1353/not.2018.0119
  5. restricted access
  1. The Yeomen of the Guard. Full Score. by W. S. Gilbert and Arthur Sullivan, and: The Yeomen of the Guard. Vocal Score. by W. S. Gilbert and Arthur Sullivan, and: Iolanthe. Full Score. by W. S. Gilbert and Arthur Sullivan (review)
  2. James Brooks Kuykendall
  3. pp. 334-342
  4. DOI: https://doi.org/10.1353/not.2018.0120
  5. restricted access
  1. Lieder mit Klavierbegleitung by Richard Strauss, and: Macbeth by Richard Strauss (review)
  2. Bryan Gilliam
  3. pp. 342-349
  4. DOI: https://doi.org/10.1353/not.2018.0121
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 350-356
  4. DOI: https://doi.org/10.1353/not.2018.0122
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  1. Communications
  3. pp. 357-358
  4. DOI: https://doi.org/10.1353/not.2018.0123
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  1. Index to Advertisers
  3. p. 360
  4. DOI: https://doi.org/10.1353/not.2018.0124
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