In this Issue

Table of Contents

Articles

Reading Color: Looking Through Language in Warhol

Carmen Merport Quiñones
pp. 511-538
DOI: https://doi.org/10.1353/crt.2017.a710752
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Tempestuous Life: Ralegh's Ocean in Ruins

Steven Swarbrick
pp. 539-563
DOI: https://doi.org/10.13110/criticism.59.4.0539
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Re-listening to Virginia Woolf: Sound Transduction and Private Listening in Mrs. Dalloway

Leah Toth
pp. 565-586
DOI: https://doi.org/10.13110/criticism.59.4.0565
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Some Stylistic Considerations of Free Indirect Discourse in Film Adaptations of Flaubert's Madame Bovary

Colin Gardner
pp. 587-618
DOI: https://doi.org/10.13110/criticism.59.4.0587
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The Metamorphoses of Empire in the Arthurian Tradition

Kathryn Hume
pp. 619-637
DOI: https://doi.org/10.13110/criticism.59.4.0619
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Eats Well with Others: Culinary Skepticism in As You Like It and Montaigne's "Of Experience"*

David B. Goldstein
pp. 639-660
DOI: https://doi.org/10.13110/criticism.59.4.0639
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Reviews

Forms: Whole, Rhythm, Hierarchy, Network by Caroline Levine (review)

Sheila Liming
pp. 661-666
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Melodrama: An Aesthetics of Impossibility by Jonathan Goldberg (review)

Ned Schantz
pp. 667-670
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Art's Undoing: In the Wake of a Radical Aestheticism by Forest Pyle (review)

Karen Weisman
pp. 671-674
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Track Changes: A Literary History of Word Processing by Matthew G. Kirschenbaum (review)

Vincent Haddad
pp. 675-680
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