In this Issue

Table of Contents

Palace-Burner: Paula Bernat Bennett and Nineteenth-Century American Women’s Poetry

Karen L. Kilcup
pp. 206-210
DOI: https://doi.org/10.1353/esq.2018.0005
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Editors’ Preface

Faith Barrett, Páraic Finnerty, Elizabeth Petrino
pp. 211-213
DOI: https://doi.org/10.1353/esq.2018.0006
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Bennett’s Dickinsons

Páraic Finnerty
pp. 214-233
DOI: https://doi.org/10.1353/esq.2018.0007
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Bennett’s Archive I: Lydia Sigourney

Elizabeth Petrino
pp. 234-250
DOI: https://doi.org/10.1353/esq.2018.0008
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Bennett’s Archive II: Sarah Piatt

Faith Barrett
pp. 251-263
DOI: https://doi.org/10.1353/esq.2018.0009
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“Gorgeous Crime”: The Art of Violence in Women’s Civil War Poetry

Eliza Richards
pp. 264-299
DOI: https://doi.org/10.1353/esq.2018.0010
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Mimicry, Originality, and Sarah Piatt’s Ekphrastic Failures

Christa Holm Vogelius
pp. 300-333
DOI: https://doi.org/10.1353/esq.2018.0011
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The Living Child’s Place in Piatt’s Dead Child Poems

Jess Roberts
pp. 334-367
DOI: https://doi.org/10.1353/esq.2018.0012
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Sarah Piatt’s Realism in 1870s Print Culture

Elizabeth Renker
pp. 368-396
DOI: https://doi.org/10.1353/esq.2018.0013
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Contributors

pp. 398-399
DOI: https://doi.org/10.1353/esq.2018.0014
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