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Table of Contents

  1. Letter from the Editor
  2. Ian D. Copestake
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/wcw.2018.0007
  5. restricted access
  1. Dumpster Diving William Carlos Williams and the Ecopoetics of Trash
  2. Michael D. Sloane
  3. pp. 99-127
  4. DOI: https://doi.org/10.1353/wcw.2018.0008
  5. restricted access
  1. “Say it! No ideas but in things—”: Punctuation Marks and American Locality in William Carlos Williams’s Paterson
  2. Lin Su
  3. pp. 128-150
  4. DOI: https://doi.org/10.1353/wcw.2018.0009
  5. restricted access
  1. Imaginative Sexuality: A Look at William Carlos Williams’s “The Avenue of Poplars”
  2. Zack Rearick
  3. pp. 151-163
  4. DOI: https://doi.org/10.1353/wcw.2018.0010
  5. restricted access
  1. “Those to Whom Interesting Things Happen”: William Carlos Williams, Kenneth Rexroth, Lew Welch, and Joanne Kyger, and the Genome of San Francisco Renaissance Poetry
  2. Alan Soldofsky
  3. pp. 164-195
  4. DOI: https://doi.org/10.1353/wcw.2018.0011
  5. restricted access
  1. William Carlos Williams Bibliography 2017
  2. Simon D. Trüb
  3. pp. 196-197
  4. DOI: https://doi.org/10.1353/wcw.2018.0012
  5. restricted access