1. Editor's Note
  2. Gordon Hutner
  3. pp. e1-e2
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  1. Introduction
  2. Richard Yarborough
  3. pp. e4-e8
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  1. The Practice of Plagiarism in a Changing Context
  2. JoAnn Pavletich
  3. pp. e9-e13
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  1. What Was Black Nostalgia?
  2. Jonathan D. S. Schroeder
  3. pp. 653-676
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  1. American Alternatives: Participatory Futures of Print from New York City's Nineteenth-Century Spanish-Language Press
  2. Kelley Kreitz
  3. pp. 677-702
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  1. Crime Fiction and Black Criminality
  2. Theodore Martin
  3. pp. 703-729
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  1. The Book Reads You: William Melvin Kelley's Typographic Imagination
  2. Kinohi Nishikawa
  3. pp. 730-755
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  1. The Novel and WikiLeaks: Transparency and the Social Life of Privacy
  2. Scott Selisker
  3. pp. 756-776
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  1. Liberalism and the Early American Novel
  2. Stephen Shapiro
  3. pp. 777-787
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  1. Attention Spans
  2. Elizabeth Duquette
  3. pp. 788-798
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  1. Debunking Dehumanization
  2. Jeannine Marie DeLombard
  3. pp. 799-810
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  1. Queer Sociality After the Antisocial Thesis
  2. Benjamin Kahan
  3. pp. 811-819
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  1. Archives of Ecocatastrophe; or, Vulnerable Reading Practices in the Anthropocene
  2. Nicole M. Merola
  3. pp. 820-835
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  1. Four Theses on Economic Totality
  2. Mitchum Huehls
  3. pp. 836-847
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  1. Black Livingstone: Pauline Hopkins, Of One Blood, and the Archives of Colonialism
  2. Ira Dworkin
  3. pp. e14-e20
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  1. Appropriating Tropes of Womanhood and Literary Passing in Pauline Hopkins's Hagar's Daughter
  2. Lauren Dembowitz
  3. pp. e21-e30
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