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  1. Notes on Territory
  2. Anna Martine Whitehead
  3. p. 2
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  1. Roshan Ara Begum: Performing Classical Music, Gender, and Muslim Nationalism in Pakistan
  2. Fawzia Afzal-Khan
  3. pp. 8-22
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  1. A Drama of Saintly Devotion: Performing Ecstasy and Status at the Shaam-e-Qalandar Festival in Pakistan
  2. Amen Jaffer
  3. pp. 23-40
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  1. From Object to Performance in Israeli Art: A Historiography
  2. Dror Harari
  3. pp. 41-63
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  1. Hissing, Bidding, and Lynching: Participation in Branden Jacobs-Jenkins's An Octoroon and the Melodramatics of American Racism
  2. Carrie J. Preston
  3. pp. 64-80
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  1. Eye Contact: Mesmeric Revelations in Baltimore
  2. James R. Ball III
  3. pp. 81-104
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  1. Good Talk and an Aesthetics of Good Sounding in Madagascar
  2. Ron Emoff
  3. pp. 105-112
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  1. The Mice Will Play: Theatre in a Psychiatric Clinic
  2. Walter Pfaff
  3. pp. 113-130
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  1. The Theorist and the Theorized: Indigenous Critiques of Performance Studies
  2. Stephanie Nohelani Teves
  3. pp. 131-140
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  1. Aromatheatre: Communication and Multimedia Design's Famous Deaths
  2. Erin B. Mee
  3. pp. 141-145
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  1. Curating Dialogue: The Bridge Project's Radical Movements
  2. Michelle LaVigne, Megan V. Nicely
  3. pp. 145-153
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  1. This Dance Which Is Not One: Carole McCurdy's ((waver))
  2. Lauren DeLand
  3. pp. 154-160
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  1. Black Performance on the Outskirts of the Left: A History of the Impossible by Malik Gaines (review)
  2. Camille S. Owens
  3. pp. 161-162
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  1. The Extractive Zone: Social Ecologies and Decolonial Perspectives by Macarena Gómez-Barris (review)
  2. Kimberly Richards
  3. pp. 163-164
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  1. Lovecidal: Walking with the Disappeared by Trinh T. Minh-ha (review)
  2. Karin Shankar
  3. pp. 165-167
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  1. Singularities: Dance in the Age of Performance by André Lepecki (review)
  2. Sima Belmar
  3. pp. 167-169
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  1. The Drama of Social Life by Jeffrey C. Alexander (review)
  2. Richard K. Sherwin
  3. pp. 169-171
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  1. Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964 by Susan Cannon Harris (review)
  2. Sarah L. Townsend
  3. pp. 171-173
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  1. The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York by Giulia Palladini (review)
  2. Cindy Rosenthal
  3. pp. 173-175
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  1. Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life by Megan Lewis (review)
  2. Christopher Martin
  3. pp. 175-177
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  1. More Books
  2. Didier Morelli
  3. pp. 180-182
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  1. Huddling, Then and Now: Simone Forti and the Nonsovereign Collective
  2. Ethan Philbrick
  3. pp. 183-196
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