In this Issue

Table of Contents

Editor’s Introduction

Philip C. Kolin
pp. 6-10
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Gone With the Wind from a British Perspective

Helen Taylor
pp. 11-15
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“I Am Scarlett”: Fan Mail and the Casting of Gone With the Wind

Steve Wilson
pp. 16-52
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Heeding the Unheard: The Excluded Music and Musicians of Gone With the Wind

Nathan Platte
pp. 53-74
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“Death, Lice, and Men Chopped Up”: Medicine and the Making of Gone With the Wind

Michael A. Flannery
pp. 75-97
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Catholicism, Irony, and Gone With the Wind

John Devanny
pp. 98-113
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Gone With the Wind and the Brethren: Fugitive, Agrarian, and New Critical Responses to a Southern Phenomenon

Joseph Millichap
pp. 114-127
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Herschel Brickell and Margaret Mitchell: Archival Documentation of a Literary Friendship

Jennifer Ford
pp. 128-137
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Marketing the Illusion of Fidelity: Gone With the Wind, Novel and Film

Terence Hoagwood
pp. 138-152
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“Furl that Banner, Softly, Slowly”: Confederate Flags and the Historical Gaze in Gone With the Wind

Billy Middleton
pp. 153-170
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“Ridiculous Extremes”: Historical Accuracy, Gone With the Wind, and the Role of Beauty in Plantation Tourism

Matthew Paul Smith
pp. 171-190
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Kisses and Commerce: Belle Watling and Scarlett O’Hara

John M. Clum
pp. 191-206
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Southern Belle/s: Contextualizing Gone With the Wind in Two Twenty-First Century Films

Deborah E. Barker
pp. 207-226
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An Interview with Alice Randall

Randall Kenan
pp. 227-244
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A Forum on Gone With the Wind: A Convergence of Voices

Phillip Gentile
pp. 245-254
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through a lens darkly

Sister Lou Ella Hickman
p. 256
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Talking About the Wind

Malaika Favorite
pp. 257-258
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Burn, Hollywood, Burn

Jack B. Bedell
p. 259
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Notes on Contributors

pp. 260-262
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