1. Literature and Postcolonial Capitalism
  2. Cheryl Narumi Naruse, Sunny Xiang, Shashi Thandra
  3. pp. 1-21
  4. DOI: 10.1353/ari.2018.0027
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  1. Mouthwork
  2. Ewa Macura-Nnamdi
  3. pp. 23-51
  4. DOI: 10.1353/ari.2018.0028
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  1. Fakes, Counterfeits, and Derivatives in Tash Aw's Five Star Billionaire
  2. Lily Cho
  3. pp. 53-75
  4. DOI: 10.1353/ari.2018.0029
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  1. Call Center Agents and Expatriate Writers: Twin Subjects of New Indian Capital
  2. Ragini Tharoor Srinivasan
  3. pp. 77-107
  4. DOI: 10.1353/ari.2018.0030
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  1. In the Wake of Asbestos: Ship-building and Ship-breaking in Ross Raisin's Waterline and Tahmima Anam's The Bones of Grace
  2. Arthur Rose
  3. pp. 139-161
  4. DOI: 10.1353/ari.2018.0032
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  1. Highland Tales in the Heart of Borneo: Postcolonial Capitalism, Multiculturalism, and Survivance
  2. Sheela Jane Menon
  3. pp. 163-188
  4. DOI: 10.1353/ari.2018.0033
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  1. Combined and Uneven Development: Towards a New Theory of World-Literature by Warwick Research Collective (WReC) (review)
  2. Caitlin Vandertop
  3. pp. 189-192
  4. DOI: 10.1353/ari.2018.0034
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  1. Spectacular Suffering: Witnessing Slavery in the Eighteenth-Century British Atlantic by Ramesh Mallipeddi (review)
  2. Morgan Vanek
  3. pp. 192-195
  4. DOI: 10.1353/ari.2018.0035
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  1. Intimate Class Acts: Friendship and Desire in Indian and Pakistani Women's Fiction by Maryam Mirza (review)
  2. Rubia Akram
  3. pp. 195-198
  4. DOI: 10.1353/ari.2018.0036
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  1. Indifference to Difference: On Queer Universalism by Madhavi Menon (review)
  2. Joshua Whitehead
  3. pp. 199-201
  4. DOI: 10.1353/ari.2018.0037
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  1. Notes on Contributors
  2. pp. 205-207
  3. DOI: 10.1353/ari.2018.0039
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