1. Darkroom Material: Race and the Chromogenic Print Process
  2. Lily Cho
  3. DOI: 10.1353/pmc.2018.0010
  4. restricted access View |
  1. A translation of 曹美贵(Lily Cho), Darkroom Material: Race and the Chromogenic Print Process
  2. Guanglong Pang
  3. DOI: 10.1353/pmc.2018.0011
  4. restricted access View |
  1. Agential Orange: Immortal Performatives and Writing with Ashes
  2. Walter Faro
  3. DOI: 10.1353/pmc.2018.0012
  4. restricted access View |
  1. Can curation free the anthology? Giorgio Agamben's apparatus and Against Expression: An Anthology of Conceptual Writing
  2. Isabelle Parkinson
  3. DOI: 10.1353/pmc.2018.0013
  4. restricted access View |
  1. Media Portfolios after Credit Scoring: Attention, Prediction, and Advertising in Indian Media Networks
  2. Akshaya Kumar
  3. DOI: 10.1353/pmc.2018.0014
  4. restricted access View |
  1. The Existential Drama of Capital. A review of Todd McGowan, Capitalism and Desire: The Psychic Cost of Free Markets
  2. Christian Haines
  3. DOI: 10.1353/pmc.2018.0015
  4. restricted access View |
  1. "This thick and fibrous now." A review of Donna Haraway's Manifestly Haraway and Staying with the Trouble: Making Kin in the Chthulucene
  2. Thangam Ravindranathan
  3. DOI: 10.1353/pmc.2018.0016
  4. restricted access View |
  1. Reading Under a Big Tent. A review of Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories
  2. Megan Ward
  3. DOI: 10.1353/pmc.2018.0017
  4. restricted access View |
  1. Notes on Contributors
  3. DOI: 10.1353/pmc.2018.0018
  4. restricted access View |