In this Issue

Table of Contents

Darkroom Material: Race and the Chromogenic Print Process

Lily Cho
DOI: https://doi.org/10.1353/pmc.2018.0010
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A translation of 曹美贵(Lily Cho), Darkroom Material: Race and the Chromogenic Print Process

Guanglong Pang
DOI: https://doi.org/10.1353/pmc.2018.0011
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Agential Orange: Immortal Performatives and Writing with Ashes

Walter Faro
DOI: https://doi.org/10.1353/pmc.2018.0012
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Can curation free the anthology? Giorgio Agamben's apparatus and Against Expression: An Anthology of Conceptual Writing

Isabelle Parkinson
DOI: https://doi.org/10.1353/pmc.2018.0013
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Media Portfolios after Credit Scoring: Attention, Prediction, and Advertising in Indian Media Networks

Akshaya Kumar
DOI: https://doi.org/10.1353/pmc.2018.0014
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The Existential Drama of Capital. A review of Todd McGowan, Capitalism and Desire: The Psychic Cost of Free Markets

Christian Haines
DOI: https://doi.org/10.1353/pmc.2018.0015
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"This thick and fibrous now." A review of Donna Haraway's Manifestly Haraway and Staying with the Trouble: Making Kin in the Chthulucene

Thangam Ravindranathan
DOI: https://doi.org/10.1353/pmc.2018.0016
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Reading Under a Big Tent. A review of Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories

Megan Ward
DOI: https://doi.org/10.1353/pmc.2018.0017
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Notes on Contributors

DOI: https://doi.org/10.1353/pmc.2018.0018
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