In this Issue

Table of Contents

She Stoops to Conquer’ and its Lost Songs

Ross W. Duffin
pp. 159-193
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Clara Schumann and the Imagined Revelation of Musical Works

Alexander Stefaniak
pp. 194-223
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‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)

Inge van Rij
pp. 224-259
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Notes on Adorno’s ‘Musical Material’ during the New Materialisms

Samuel Wilson
pp. 260-275
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Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts by Luisa Nardini (review)

Elsa De Luca
pp. 276-278
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Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism ed. by Benjamin Brand, David J. Rothenberg (review)

Karen Desmond
pp. 278-281
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Motets from the Chansonnier de Noailles ed. by Gaël Saint-Cricq, Eglal Doss-Quinby, Samuel N. Rosenberg (review)

Elizabeth Eva Leach
pp. 281-285
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Early Sources of Identity: Makers, Owners and Users of Music Sources before 1600 ed. by Lisa Colton, Tim Shephard (review)

Matthew Laube
pp. 285-287
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Perspectives on Luca Marenzio’s Secular Music ed. by Mauro Calcagno (review)

Gawain Glenton
pp. 287-290
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Music in the London Theatre from Purcell to Handel ed. by Colin Timms, Bruce Wood (review)

Judith Milhous
pp. 290-292
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The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks by Jean-Paul Montagnier (review)

Thierry Favier
pp. 292-294
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Beethoven’s 32 Piano Sonatas: A Handbook for Performers by Stewart Gordon (review)

Barry Cooper
pp. 294-296
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The Romantic Overture and Musical Form from Rossini to Wagner by Steven Vande Moortele (review)

Maddie Kavanagh Clarke
pp. 296-299
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Music in Goethe’s Faust; Goethe’s Faust in Music ed. by Lorraine Byrne Bodley (review)

Laura Tunbridge
pp. 300-303
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Russian Music since 1917: Reappraisal and Rediscovery ed. by Patrick Zuk, Marina Frolova-Walker (review)

David Fanning
pp. 303-304
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Composing for the State: Music in Twentieth-Century Dictatorships ed. by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva (review)

Daniel Elphick
pp. 304-307
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Musical Migrations: Crossroads of European Musical Diversity ed. by Jernej Weiss (review)

John Tyrrell
pp. 307-309
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Le Compositeur, son oreille et ses machines à écrire: Déconstruire les grammatologies du musical pour mieux les composer by Fabian Lévy (review)

Yannis Rammos
pp. 309-312
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Modeling Ethnomusicology by Timothy Rice (review)

Matthew Machin-Autenrieth
pp. 312-315
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Pat Metheny: The ECM Years, 1975–1984 by Mervyn Cooke (review)

Keith Waters
pp. 315-317
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Music & Letters’ Awards

p. 320
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Authors of Articles in this Issue

p. 320
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Books Received

pp. 321-322
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