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Table of Contents

  1. Editor's Preface
  2. Juliette M. Rogers
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/wfs.2018.0021
  5. restricted access
  1. Subverting Seduction: Gender and Genre in Marguerite de Navarre's Heptaméron
  2. Theresa Brock
  3. pp. 13-26
  4. DOI: https://doi.org/10.1353/wfs.2018.0022
  5. restricted access
  1. Sexual Politics on Stage: Sincerity, Gender, and Revolution in the Comedies of Isabelle de Charrière
  2. Susanne Rossbach
  3. pp. 27-42
  4. DOI: https://doi.org/10.1353/wfs.2018.0023
  5. restricted access
  1. Visibilité et invisibilité de l'hystérie: Regards croisés de trois auteures sur les hystériques de la Salpêtrière
  2. Emilie Garrigou-Kempton
  3. pp. 43-55
  4. DOI: https://doi.org/10.1353/wfs.2018.0024
  5. restricted access
  1. Édith Thomas : L'archiviste de la libération de Paris
  2. Marla Epp
  3. pp. 56-65
  4. DOI: https://doi.org/10.1353/wfs.2018.0025
  5. restricted access
  1. Une francophone révoltée: Doria Shafik, poète, journaliste et militante féministe extraordinaire (1908-1975)
  2. Samia I. Spencer
  3. pp. 66-82
  4. DOI: https://doi.org/10.1353/wfs.2018.0026
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  1. From Sensation to Representation: The Torture of Djamila Boupacha During the Algerian War
  2. Heidi Brown
  3. pp. 83-95
  4. DOI: https://doi.org/10.1353/wfs.2018.0027
  5. restricted access
  1. Explosante-fixe : L'image poétique dans la trilogie maghrébine d'Assia Djebar
  2. Sonia Assa
  3. pp. 96-113
  4. DOI: https://doi.org/10.1353/wfs.2018.0028
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  1. A Comic-Book Look at Cosmopolitanism and Feminism: Let's Talk about Marjane Satrapi's Broderies
  2. S. Olivia Donaldson
  3. pp. 114-130
  4. DOI: https://doi.org/10.1353/wfs.2018.0029
  5. restricted access
  1. Gender and Multiplicity in Véronique Tadjo's Reine Pokou
  2. Jennifer Stafford Brown
  3. pp. 131-142
  4. DOI: https://doi.org/10.1353/wfs.2018.0030
  5. restricted access
  1. A Palimpsestuous Novel: Claire Legendre's La Méthode Stanislavski
  2. Michèle A. Schaal
  3. pp. 143-157
  4. DOI: https://doi.org/10.1353/wfs.2018.0031
  5. restricted access
  1. Écrire (à) vous. L'adresse au lecteur chez Maryline Desbiolles
  2. Karin Schwerdtner
  3. pp. 158-168
  4. DOI: https://doi.org/10.1353/wfs.2018.0032
  5. restricted access
  1. Lesbian Decadence: Representations in Art and Literature of Fin-de-Siècle France by Nicole G. Alber (review)
  2. Violette S. Robinson
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/wfs.2018.0033
  5. restricted access
  1. Le Pouvoir au féminin. Marie-Thérèse d'Autriche, 1717-1780, L'impératrice-reine by Élisabeth Badinter (review)
  2. Ariunaa Jargalsaikhan
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/wfs.2018.0034
  5. restricted access
  1. Agnès Varda: Between Film, Photography, and Art by Rebecca J. DeRoo (review)
  2. Ray Balstad
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/wfs.2018.0035
  5. restricted access
  1. Looking for The Stranger: Albert Camus and the Life of a Literary Classic by Alice Kaplan (review)
  2. Adele King
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/wfs.2018.0036
  5. restricted access
  1. Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650-1750) by Theresa Varney Kennedy (review)
  2. Cathleen Bauschatz
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/wfs.2018.0037
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  1. La virginité en question ou les jeunes filles sans âge by Eftihia Mihelakis (review)
  2. Anna Rocca
  3. pp. 178-179
  4. DOI: https://doi.org/10.1353/wfs.2018.0038
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  1. Women and the French Army during the World Wars, 1914-1940 by Andrew Orr (review)
  2. Beverly J. Evans
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/wfs.2018.0039
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  1. "Femmes damnées" Saphisme et poésie (1846-1889) by Myriam Robic (review)
  2. Chelsea Ray
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/wfs.2018.0040
  5. restricted access
  1. Staging Creolization: Women's Theater and Performance from the French Caribbean by Emily Sahakian (review)
  2. Jodie Barker
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/wfs.2018.0041
  5. restricted access
  1. Awu's Story–A Novel by Justine Mintsa (review)
  2. Karen Ferreira-Meyers
  3. pp. 184-185
  4. DOI: https://doi.org/10.1353/wfs.2018.0042
  5. restricted access
  1. La Petite Fadette by George Sand (review)
  2. Angelina Overvold
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/wfs.2018.0043
  5. restricted access
  1. Cixous after / depuis 2000 by Elizabeth Berglund Hall et al (review)
  2. Pascale Perraudin
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/wfs.2018.0044
  5. restricted access
  1. Approaches to Teaching the Works of Assia Djebar ed. by Anne Donadey (review)
  2. Katarzyna Peric
  3. pp. 188-190
  4. DOI: https://doi.org/10.1353/wfs.2018.0045
  5. restricted access
  1. Amour, sexe, genre et trauma dans la Caraïbe francophone dir. by Gladys M. Francis (review)
  2. Mathias Guerreiro-Aires
  3. pp. 190-192
  4. DOI: https://doi.org/10.1353/wfs.2018.0046
  5. restricted access
  1. Langues et cultures dans l'internationalisation de l'enseignement supérieur au XXIe siècle–(Re)penser les politiques linguistiques : anglais et plurilinguisme by Françoise Le Lièvre et al (review)
  2. Karen Ferreira-Meyers
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/wfs.2018.0047
  5. restricted access
  1. La danse de Pilar by Charline Effah (review)
  2. Cheryl Toman Case
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/wfs.2018.0048
  5. restricted access
  1. Les passants de Québec by Natasha Pemba (review)
  2. Marzia Caporale
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/wfs.2018.0049
  5. restricted access
  1. Notes on Contributors
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/wfs.2018.0050
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