1. Art for Sale: Covering the Contemporary, Courting the Commercial
  2. Evelyn Owen
  3. pp. 1-4
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  1. Are Biennials the Solution or the Problem for African Art's Global Reach?
  2. Sidney Kasfir
  3. pp. 5-6
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  1. Erratum
  2. p. 6
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  1. Producing, Collecting, and Exhibiting Bizango Sculptures from HaitiTransatlantic Vodou on the International Art Scene
  2. Catherine Benoît, André Delpuech
  3. pp. 8-19
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  1. Assemblage, Occlusion, and the Art of Survival in the Black Atlantic
  2. Matthew Francis Rarey
  3. pp. 20-33
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  1. Art of Central Africa at the Indianapolis Museum of Art
  2. Constantine Petridis, Kirstin Krause Gotway
  3. pp. 34-47
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  1. Crosses from Ethiopia at the Dallas Museum of Art: An Overview
  2. Jacopo Gnisci
  3. pp. 48-55
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  1. An Arresting PortrayalMarco Cianfanelli's Release at the Nelson Mandela Capture Site
  2. Brenda Schmahmann
  3. pp. 56-69
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  1. Of Milk Pots and Cattle KeepersStyle and Role Changes of the Inkongoro in Nyagatare District, Rwanda
  2. Karangwa Isaie, Rutikanga Emmanuel, Philip Fry
  3. pp. 70-85
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  1. documenta 14: Learning from Athens by Adam Szymczyk (review)
  2. Stephan Köhler
  3. pp. 86-88
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  1. documenta 14: Learning from Athens by Adam Szymczyk (review)
  2. Ugochukwu-Smooth C. Nzewi
  3. pp. 89-91
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  1. Picasso Primitif by Yves Le Fur (review)
  2. John Warne Monroe
  3. pp. 92-94
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  1. Congo Art Works: Popular Painting ed. by Bambi Ceuppens and Sammy Baloji (review)
  2. Sarah Van Beurden
  3. pp. 94-96
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  1. Scorched Earth: 100 Years of Southern African Potteries by Wendy Gers (review)
  2. Johnathan Hopp
  3. p. 96
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