1. Editor's Notes
  2. pp. 1-2
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  1. Contemporary Cuban Cinema
  2. pp. 3-4
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  1. Nina Simone, Now
  2. pp. 5-6
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  1. Unresolved Subjects: Poverty, Rage, and Abstraction in the Work of the Last Race Filmmaker
  2. Ellen C. Scott
  3. pp. 7-41
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  1. Taís Araújo: The Black Helena against Brazil's Whitening Television
  2. Bruno Guaraná
  3. pp. 42-66
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  1. Introduction: Claire Denis, Auteur Filmmaker Extraordinaire!
  2. pp. 96-98
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  1. Postcolony's Colonial Registers in Claire Denis's Chocolat and White Material
  2. Michael T. Martin, Eileen Julien
  3. pp. 99-122
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  1. Africa Under the Skin
  2. Isabelle Le Corff
  3. pp. 123-143
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  1. Gallery: Poster Art as Cultural Labor in the Cinematic Archive of Claire Denis
  2. Michael T. Martin
  3. pp. 144-155
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  1. Introduction
  2. Samantha N. Sheppard
  3. pp. 156-161
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  1. The Exception That Proves the Rule: Race, Place, and Meritocracy in Rand University
  2. Samantha N. Sheppard
  3. pp. 162-176
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  1. Saving/Staging Whiteness: Racial Reconciliation in 42 and FIFA 2017/2018
  2. David J. Leonard
  3. pp. 177-192
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  1. Beyond Les Bleus: French Basketball, American Media, and Racial Performance in Les banlieues
  2. Keith Corson
  3. pp. 213-225
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  1. Cannes 2018 Report: From the Real to the Imaginary
  2. Olivier Barlet, Ambre Llorca
  3. pp. 226-239
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  1. Tunisia Factory: Mentalities in Question
  2. Olivier Barlet, Ambre Llorca
  3. pp. 240-242
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  1. Wanuri Kahiu's Rafiki
  2. Olivier Barlet, Ambre Llorca
  3. pp. 243-244
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  1. African Women of the Screen as Cultural Producers: An Overview by Country
  2. Beti Ellerson
  3. pp. 245-287
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  1. Inside Nollywood: Issues and Perspectives on Nigerian Cinema eds. by Sola Fosudo and Tunji Azeez (review)
  2. Babatunde Onikoyi
  3. pp. 288-290
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  1. The South Side Home Movie Project: Re-Imagining Black Chicago
  2. Candace Ming
  3. pp. 295-304
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  1. Professional Notes and Research Sources
  2. pp. 305-307
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