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Table of Contents

  1. Authority and Materiality in the Italian Songbook: From the Medieval Lyric to the Early-Modern Madrigal
  2. Olivia Holmes, Paul Schleuse
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/mdi.2018.0000
  5. restricted access
  1. Song Personified: The Tornadas of Raimon de Miraval
  2. Anne Adele Levitsky
  3. pp. 17-57
  4. DOI: https://doi.org/10.1353/mdi.2018.0001
  5. restricted access
  1. Fragmentational Poetics: Staging the Crisis of Oratory in Petrarch's Political Canzoni
  2. Joel Salvatore Pastor
  3. pp. 59-87
  4. DOI: https://doi.org/10.1353/mdi.2018.0002
  5. restricted access
  1. Triumphing over Dante in Petrarch's Trionfi
  2. Leah Schwebel
  3. pp. 89-113
  4. DOI: https://doi.org/10.1353/mdi.2018.0003
  5. restricted access
  1. "Free to Sing My Liberty": Weaving and the Construction of the Literary Self in Gaspara Stampa and Louise Labé
  2. Olimpia Pelosi
  3. pp. 115-141
  4. DOI: https://doi.org/10.1353/mdi.2018.0004
  5. restricted access
  1. Cobbling Together the Lyric Text: Parody, Imitation, and Obscenity in the Old Occitan Cobla Anthologies
  2. Courtney Joseph Wells
  3. pp. 143-183
  4. DOI: https://doi.org/10.1353/mdi.2018.0005
  5. restricted access
  1. Visual Discourse in Petrarch's Sestinas
  2. Francesco Marco Aresu
  3. pp. 185-215
  4. DOI: https://doi.org/10.1353/mdi.2018.0006
  5. restricted access
  1. The Cinquecento Italian Madrigal in Theory and Practice: The Case of Filippo Massini (1559–1618)
  2. Lorenzo Sacchini, Eraldo Bellini
  3. pp. 217-249
  4. DOI: https://doi.org/10.1353/mdi.2018.0007
  5. restricted access
  1. Music of Words and Words in MusicThe Sound of Gravità in the Italian Madrigal
  2. Giuseppe Gerbino
  3. pp. 251-273
  4. DOI: https://doi.org/10.1353/mdi.2018.0008
  5. restricted access
  1. Boccaccio as Anthologist and The Dawn of Editorial Auctoritas
  2. Laura Banella
  3. pp. 275-297
  4. DOI: https://doi.org/10.1353/mdi.2018.0009
  5. restricted access
  1. Dante's BallataThe Personification of Poetry and the Authority of the Vernacular in the Vita Nuova
  2. Martin Eisner
  3. pp. 299-318
  4. DOI: https://doi.org/10.1353/mdi.2018.0010
  5. restricted access
  1. The Fragmenta's Timeline Models for Reconstructing and Interpreting the Text
  2. Isabella Magni
  3. pp. 319-343
  4. DOI: https://doi.org/10.1353/mdi.2018.0011
  5. restricted access
  1. Italian Artistry, English Innovation: Thomas Watson's Italian Madrigalls Englished (1590)
  2. K. Dawn Grapes
  3. pp. 345-385
  4. DOI: https://doi.org/10.1353/mdi.2018.0012
  5. restricted access

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