1. Preface
  2. pp. ix-x
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  1. Notes on Contributors
  2. pp. xi-xiv
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  1. From Xenophobia to Xenophilia: Dickens's Continental Drift
  2. Sean Grass
  3. pp. 1-19
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  1. Stenography and Orality in Dickens: Rethinking the Phonographic Myth
  2. Hugo Bowles
  3. pp. 21-44
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  1. Dickens's Wild Child: Nurture and Discipline after Peter the Wild Boy
  2. Rae X. Yan
  3. pp. 45-58
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  1. Dickens, Hogarth, and Artistic Perception: The Case of Nicholas Nickleby
  2. Andrew Mangham
  3. pp. 59-78
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  1. The Art of Absence and Return in Martin Chuzzlewit
  2. Wayne Batten
  3. pp. 79-93
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  1. Gathering and Scattering: Figuring Interest in Martin Chuzzlewit
  2. James Buzard
  3. pp. 95-119
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  1. Finding Form in David Copperfield: The Architectural Installment
  2. Daniel Siegel
  3. pp. 121-143
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  1. Recognizing Status in Charles Dickens's Hard Times
  2. Albert D. Pionke
  3. pp. 145-165
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  1. "Nothing Truer Than Physiognomy": Body Semiotics and Agency in Charles Dickens's "Hunted Down" (1859)
  2. Eike Kronshage
  3. pp. 167-180
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  1. What Estella Knew: Questions of Secrecy and Knowing in Great Expectations
  2. Toru Sasaki
  3. pp. 181-190
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  1. Performance Anxiety in Our Mutual Friend
  2. Daniel Pollack-Pelzner
  3. pp. 191-205
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  1. The Challenge of Female Homoeroticism in Our Mutual Friend
  2. Michael D. Lewis
  3. pp. 207-229
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  1. Anticipated Ends, Atonement, and the Serialization of Gaskell's North and South
  2. Elizabeth Coggin Womack
  3. pp. 231-251
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  1. Paradise Returned: Hardy's The Return of the Native
  2. Clay Daniel
  3. pp. 253-271
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  1. "Making Literature Ridiculous": Jerome K. Jerome and the New Humour
  2. Carolyn W. de la L. Oulton
  3. pp. 273-284
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  1. Recent Dickens Studies—2015
  2. Sarah Gates
  3. pp. 285-393
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