In this Issue
- Volume 70, Number 3, September 2018
- Special Issue: Directions
- Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Johns Hopkins University Pressviewing issue
Volume 70, Number 3, September 2018Table of Contents
- Congratulations!
- p. x
- DOI: 10.1353/tj.2018.0054
- Editorial Comment: Directions
- pp. xi-xiv
- DOI: 10.1353/tj.2018.0055
- 17c dir. by Annie-B Parson (review)
- pp. 383-387
- DOI: 10.1353/tj.2018.0061
- Le Sorelle Macaluso by Emma Dante (review)
- pp. 389-391
- DOI: 10.1353/tj.2018.0063
- Constanza Muere dir. by Ariel Farace (review)
- pp. 391-393
- DOI: 10.1353/tj.2018.0064
- Draw the Circle by Mashuq Mushtaq Deen (review)
- pp. 396-399
- DOI: 10.1353/tj.2018.0067
- Dry Land by Ruby Rae Spiegel (review)
- pp. 399-401
- DOI: 10.1353/tj.2018.0068
- The Maids by Jean Genet (review)
- pp. 401-403
- DOI: 10.1353/tj.2018.0069
- Guys and Dolls by Frank Loesser (review)
- pp. 403-405
- DOI: 10.1353/tj.2018.0070
- Editorial Comment
- p. E-1
- DOI: 10.1353/tj.2018.0083
- Feeling in Counterpoint: A Playlist
- pp. E-7-E-13
- DOI: 10.1353/tj.2018.0085
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Additional Information
ISSN
1086-332X
Print ISSN
0192-2882
Launched on MUSE
2018-10-20
Open Access
No
Copyright
Copyright © The Johns Hopkins University Press.
