1. Congratulations!
  3. p. x
  4. DOI: 10.1353/tj.2018.0054
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  1. Editorial Comment: Directions
  2. Jen Parker-Starbuck
  3. pp. xi-xiv
  4. DOI: 10.1353/tj.2018.0055
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  1. That the Past May Yet Have Another Future: Gesture in the Times of Hands Up
  2. Rebecca Schneider
  3. pp. 285-306
  4. DOI: 10.1353/tj.2018.0056
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  1. Undigested Reading: Rethinking Stage Directions through Affect
  2. Bess Rowen
  3. pp. 307-326
  4. DOI: 10.1353/tj.2018.0057
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  1. Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body
  2. Broderick D. V. Chow
  3. pp. 327-347
  4. DOI: 10.1353/tj.2018.0058
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  1. Reactivating the City: Kibeho, Black Lives Matter, and the Situationist Dérive
  2. Elin Diamond
  3. pp. 349-367
  4. DOI: 10.1353/tj.2018.0059
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  1. Festivals: What Good Are They? What Are They Good at? The Case of Edinburgh 2017
  2. Ric Knowles
  3. pp. 369-382
  4. DOI: 10.1353/tj.2018.0060
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  1. 17c dir. by Annie-B Parson (review)
  2. Drew Lichtenberg
  3. pp. 383-387
  4. DOI: 10.1353/tj.2018.0061
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  1. Nationaltheater Reinickendorf by Vegard Vinge and Ida Müller (review)
  2. Andrew Friedman
  3. pp. 387-389
  4. DOI: 10.1353/tj.2018.0062
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  1. Le Sorelle Macaluso by Emma Dante (review)
  2. Francesca Spedalieri
  3. pp. 389-391
  4. DOI: 10.1353/tj.2018.0063
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  1. Constanza Muere dir. by Ariel Farace (review)
  2. Anna White-Nockleby
  3. pp. 391-393
  4. DOI: 10.1353/tj.2018.0064
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  1. A Pink Chair (In Place of a Fake Antique) dir. by Elizabeth LeCompte (review)
  2. Theresa Smalec
  3. pp. 393-395
  4. DOI: 10.1353/tj.2018.0065
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  1. Raw Bacon From Poland by Christina Masciotti (review)
  2. Jessica Rizzo
  3. pp. 395-396
  4. DOI: 10.1353/tj.2018.0066
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  1. Draw the Circle by Mashuq Mushtaq Deen (review)
  2. Claire Pamment
  3. pp. 396-399
  4. DOI: 10.1353/tj.2018.0067
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  1. Dry Land by Ruby Rae Spiegel (review)
  2. Carla Neuss
  3. pp. 399-401
  4. DOI: 10.1353/tj.2018.0068
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  1. The Maids by Jean Genet (review)
  2. Robert Amsden
  3. pp. 401-403
  4. DOI: 10.1353/tj.2018.0069
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  1. Guys and Dolls by Frank Loesser (review)
  2. Shelley Orr
  3. pp. 403-405
  4. DOI: 10.1353/tj.2018.0070
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  1. 7Ways by Geumhyung Jeong, and: Cendres by Plexus Polaire, and: Chiflón, El Silencio Del Carbon by Silencio Blanco, and: Narcissister Live! by Narcissister (review)
  2. Marissa Fenley
  3. pp. 405-409
  4. DOI: 10.1353/tj.2018.0071
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  1. Contested Directions: Performance Studies in/from/of Canada and Québec
  2. Kirsty Johnston
  3. pp. 411-422
  4. DOI: 10.1353/tj.2018.0072
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  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. W. B. Worthen
  3. pp. 423-425
  4. DOI: 10.1353/tj.2018.0073
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  1. Granville Barker on Theatre: Selected Essays by Harley Granville Barker (review)
  2. J. Ellen Gainor
  3. pp. 425-426
  4. DOI: 10.1353/tj.2018.0074
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  1. Bernard Shaw and William Archer ed. by Thomas Postlewait (review)
  2. Matthew Yde
  3. pp. 426-427
  4. DOI: 10.1353/tj.2018.0075
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  1. Site Unscene: the Offstage in English Renaissance Drama by Jonathan Walker (review)
  2. Silvia Bigliazzi
  3. pp. 427-429
  4. DOI: 10.1353/tj.2018.0076
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  1. The Model as Performance: Staging Space in Theatre and Architecture by Thea Brejzek and Lawrence Wallen (review)
  2. Marjorie Bradley Kellogg
  3. pp. 429-430
  4. DOI: 10.1353/tj.2018.0077
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  1. The Federal Theatre Project in the American South: the Carolina Playmakers and the Quest for American Drama by Cecelia Moore (review)
  2. Barry B. Witham
  3. pp. 430-431
  4. DOI: 10.1353/tj.2018.0078
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  1. Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)
  2. Sandra Adell
  3. pp. 432-433
  4. DOI: 10.1353/tj.2018.0079
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  1. Forms of Conflict: Contemporary Wars on the British Stage by Sara Soncini (review)
  2. George Potter
  3. pp. 433-434
  4. DOI: 10.1353/tj.2018.0080
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  1. What was Tragedy? Theory and The Early Modern Canon by Blair Hoxby (review)
  2. Paul A. Kottman
  3. pp. 434-435
  4. DOI: 10.1353/tj.2018.0081
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  1. Theaters of the Everyday: Aesthetic Democracy on the American Stage by Jacob Gallagher-Ross (review)
  2. Dorothy Chansky
  3. pp. 435-436
  4. DOI: 10.1353/tj.2018.0082
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  1. Editorial Comment
  2. Margherita Laera
  3. p. E-1
  4. DOI: 10.1353/tj.2018.0083
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  1. "Undigested Reading" and the New York Neo-Futurists
  2. Bess Rowen
  3. pp. E-3-E-6
  4. DOI: 10.1353/tj.2018.0084
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  1. Feeling in Counterpoint: A Playlist
  2. Broderick D. V. Chow
  3. pp. E-7-E-13
  4. DOI: 10.1353/tj.2018.0085
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  1. Reactivating the City: A Situationist-Inspired Map of New York
  2. Elin Diamond
  3. pp. E-15-E-17
  4. DOI: 10.1353/tj.2018.0086
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