1. Introduction
  2. David Russell, Karin Westman, Naomi Wood
  3. pp. v-vi
  4. DOI: 10.1353/uni.2018.0000
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  1. Defining Children’s Metafiction: Authorship and Readership in Emily Gravett’s Picturebooks
  2. Lissi Athanasiou-Krikelis
  3. pp. 1-19
  4. DOI: 10.1353/uni.2018.0001
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  1. Remodeling Home in Philip Pullman’s His Dark Materials
  2. Amanda M. Greenwell
  3. pp. 20-36
  4. DOI: 10.1353/uni.2018.0002
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  1. Transphobic Tropes and Young Adult Fiction: An Analysis of Brian Katcher’s Almost Perfect
  2. Barbara Pini, Wendy Keys, Damien W. Riggs
  3. pp. 57-72
  4. DOI: 10.1353/uni.2018.0004
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  1. Cinema and the Book: Intermediality in The Invention of Hugo Cabret
  2. Elizabeth Bullen, Leonie Rutherford, Ilona Urquhart
  3. pp. 73-87
  4. DOI: 10.1353/uni.2018.0005
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  1. The Comics of Hergé: When the Lines Are Not So Clear ed. by Joe Sutliff Sanders (review)
  2. Aaron Kashtan
  3. pp. 88-90
  4. DOI: 10.1353/uni.2018.0006
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  1. Girls’ Series Fiction and Popular Culture by Luella D’Amico (review)
  2. Anna Lockhart
  3. pp. 90-93
  4. DOI: 10.1353/uni.2018.0007
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  1. From Superman to Social Realism: Children’s Media and Scandinavian Childhood by Helle Strandgaard Jensen (review)
  2. Philip Nel
  3. pp. 94-98
  4. DOI: 10.1353/uni.2018.0008
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  1. Island of the Blue Dolphins: The Complete Reader’s Edition by Scott O’Dell (review)
  2. Kristen Gregory
  3. pp. 98-101
  4. DOI: 10.1353/uni.2018.0009
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  1. The Child to Come: Life after the Human Catastrophe by Rebekah Sheldon (review)
  2. Gabrielle Owen
  3. pp. 104-107
  4. DOI: 10.1353/uni.2018.0011
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