In this Issue

Table of Contents

Racing AheadRace-ing Queer Music Scholarship

Hedy Law
pp. 1-2
DOI: https://doi.org/10.1353/wam.2018.0000
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"You Are My Dwelling Place"Experiencing Black Male Vocalists' Worship as Aural Eroticism and Autoeroticism in Gospel Performance

Alisha Lola Jones
pp. 3-21
DOI: https://doi.org/10.1353/wam.2018.0001
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"We Lived in the Gaps between the Stories"Alannah Marie Halay

Alannah Marie Halay
pp. 22-25
DOI: https://doi.org/10.1353/wam.2018.0002
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The J/Jota in Jenni

Deborah R. Vargas
pp. 26-43
DOI: https://doi.org/10.1353/wam.2018.0003
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Ligeia for Solo Flute (with Glissando Headjoint)

Amanda Bono
pp. 44-49
DOI: https://doi.org/10.1353/wam.2018.0004
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Sung and Spoken Puns as Queer "Home Making" in Toronto's Chinese Diaspora

Yun Emily Wang
pp. 50-62
DOI: https://doi.org/10.1353/wam.2018.0005
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The New "Queer" and the Old Racism

Elías Krell
pp. 63-71
DOI: https://doi.org/10.1353/wam.2018.0006
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Freedom Bridge (Extracts)

Susannah Self
pp. 72-78
DOI: https://doi.org/10.1353/wam.2018.0007
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Let's Flip It! Quare EmancipationsBlack Queer Traditions, Afrofuturisms, Janelle Monáe to Labelle

Gayle Murchison
pp. 79-90
DOI: https://doi.org/10.1353/wam.2018.0008
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The Ambivalent Erotics of Hot PantsPeter de Rome and the Soundtrack of Liberation

Kyle C. Kaplan
pp. 91-100
DOI: https://doi.org/10.1353/wam.2018.0009
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Anti-MatikSolo/duo for bajoncillo and (female) body

Melodie Michel
pp. 101-107
DOI: https://doi.org/10.1353/wam.2018.0010
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The Blacks, the Jews, and the GaysBette Midler's Third-Order Vaudeville

Mitchell Morris
pp. 108-116
DOI: https://doi.org/10.1353/wam.2018.0011
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Willmer Broadnax, Midcentury Gospel, and Black Trans/Masculinities

Stephan Pennington
pp. 117-125
DOI: https://doi.org/10.1353/wam.2018.0012
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"Tempsiabo"

Sonia Megías
pp. 126-128
DOI: https://doi.org/10.1353/wam.2018.0013
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Lessons from Archives and Public History for the Race-ing of Queer Music Scholarship

Eric Hung
pp. 129-140
DOI: https://doi.org/10.1353/wam.2018.0014
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Kasahara and Iwaasa in Conversation

Teiya Kasahara, Rachel Kiyo Iwaasa, Rebecca Wiegand Coale
pp. 141-148
DOI: https://doi.org/10.1353/wam.2018.0015
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Reviews

Creating Carmen Miranda: Race, Camp and Transnational Stardom by Kathryn Bishop-Sanchez (review)

Maria Fantinato
pp. 149-153
DOI: https://doi.org/10.1353/wam.2018.0016
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Just Vibrations: The Purpose of Sounding Good by William Cheng (review)

Lauron Kehrer
pp. 153-157
DOI: https://doi.org/10.1353/wam.2018.0017
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Country Boys and Redneck Women: New Essays in Gender and Country Music ed. by Diane Pecknold and Kristine M. McCusker (review)

Stephanie Vander Wel
pp. 157-163
DOI: https://doi.org/10.1353/wam.2018.0018
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