1. Racing AheadRace-ing Queer Music Scholarship
  2. Hedy Law
  3. pp. 1-2
  4. DOI: 10.1353/wam.2018.0000
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  1. "You Are My Dwelling Place"Experiencing Black Male Vocalists' Worship as Aural Eroticism and Autoeroticism in Gospel Performance
  2. Alisha Lola Jones
  3. pp. 3-21
  4. DOI: 10.1353/wam.2018.0001
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  1. "We Lived in the Gaps between the Stories"Alannah Marie Halay
  2. Alannah Marie Halay
  3. pp. 22-25
  4. DOI: 10.1353/wam.2018.0002
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  1. The J/Jota in Jenni
  2. Deborah R. Vargas
  3. pp. 26-43
  4. DOI: 10.1353/wam.2018.0003
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  1. Ligeia for Solo Flute (with Glissando Headjoint)
  2. Amanda Bono
  3. pp. 44-49
  4. DOI: 10.1353/wam.2018.0004
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  1. Sung and Spoken Puns as Queer "Home Making" in Toronto's Chinese Diaspora
  2. Yun Emily Wang
  3. pp. 50-62
  4. DOI: 10.1353/wam.2018.0005
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  1. The New "Queer" and the Old Racism
  2. Elías Krell
  3. pp. 63-71
  4. DOI: 10.1353/wam.2018.0006
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  1. Freedom Bridge (Extracts)
  2. Susannah Self
  3. pp. 72-78
  4. DOI: 10.1353/wam.2018.0007
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  1. Let's Flip It! Quare EmancipationsBlack Queer Traditions, Afrofuturisms, Janelle Monáe to Labelle
  2. Gayle Murchison
  3. pp. 79-90
  4. DOI: 10.1353/wam.2018.0008
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  1. The Ambivalent Erotics of Hot PantsPeter de Rome and the Soundtrack of Liberation
  2. Kyle C. Kaplan
  3. pp. 91-100
  4. DOI: 10.1353/wam.2018.0009
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  1. Anti-MatikSolo/duo for bajoncillo and (female) body
  2. Melodie Michel
  3. pp. 101-107
  4. DOI: 10.1353/wam.2018.0010
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  1. The Blacks, the Jews, and the GaysBette Midler's Third-Order Vaudeville
  2. Mitchell Morris
  3. pp. 108-116
  4. DOI: 10.1353/wam.2018.0011
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  1. Willmer Broadnax, Midcentury Gospel, and Black Trans/Masculinities
  2. Stephan Pennington
  3. pp. 117-125
  4. DOI: 10.1353/wam.2018.0012
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  1. "Tempsiabo"
  2. Sonia Megías
  3. pp. 126-128
  4. DOI: 10.1353/wam.2018.0013
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  1. Lessons from Archives and Public History for the Race-ing of Queer Music Scholarship
  2. Eric Hung
  3. pp. 129-140
  4. DOI: 10.1353/wam.2018.0014
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  1. Kasahara and Iwaasa in Conversation
  2. Teiya Kasahara, Rachel Kiyo Iwaasa, Rebecca Wiegand Coale
  3. pp. 141-148
  4. DOI: 10.1353/wam.2018.0015
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Reviews

  1. Creating Carmen Miranda: Race, Camp and Transnational Stardom by Kathryn Bishop-Sanchez (review)
  2. Maria Fantinato
  3. pp. 149-153
  4. DOI: 10.1353/wam.2018.0016
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  1. Just Vibrations: The Purpose of Sounding Good by William Cheng (review)
  2. Lauron Kehrer
  3. pp. 153-157
  4. DOI: 10.1353/wam.2018.0017
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  1. Country Boys and Redneck Women: New Essays in Gender and Country Music ed. by Diane Pecknold and Kristine M. McCusker (review)
  2. Stephanie Vander Wel
  3. pp. 157-163
  4. DOI: 10.1353/wam.2018.0018
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