Women and Music: A Journal of Gender and Culture

In this Issue

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Racing AheadRace-ing Queer Music Scholarship
Hedy Law
pp. 1-2
DOI: https://doi.org/10.1353/wam.2018.0000

"We Lived in the Gaps between the Stories"Alannah Marie Halay
Alannah Marie Halay
pp. 22-25
DOI: https://doi.org/10.1353/wam.2018.0002

The J/Jota in Jenni
Deborah R. Vargas
pp. 26-43
DOI: https://doi.org/10.1353/wam.2018.0003

Ligeia for Solo Flute (with Glissando Headjoint)
Amanda Bono
pp. 44-49
DOI: https://doi.org/10.1353/wam.2018.0004

Sung and Spoken Puns as Queer "Home Making" in Toronto's Chinese Diaspora
Yun Emily Wang
pp. 50-62
DOI: https://doi.org/10.1353/wam.2018.0005

The New "Queer" and the Old Racism
Elías Krell
pp. 63-71
DOI: https://doi.org/10.1353/wam.2018.0006

Freedom Bridge (Extracts)
Susannah Self
pp. 72-78
DOI: https://doi.org/10.1353/wam.2018.0007

Anti-MatikSolo/duo for bajoncillo and (female) body
Melodie Michel
pp. 101-107
DOI: https://doi.org/10.1353/wam.2018.0010

The Blacks, the Jews, and the GaysBette Midler's Third-Order Vaudeville
Mitchell Morris
pp. 108-116
DOI: https://doi.org/10.1353/wam.2018.0011

Willmer Broadnax, Midcentury Gospel, and Black Trans/Masculinities
Stephan Pennington
pp. 117-125
DOI: https://doi.org/10.1353/wam.2018.0012

"Tempsiabo"
Sonia Megías
pp. 126-128
DOI: https://doi.org/10.1353/wam.2018.0013

Lessons from Archives and Public History for the Race-ing of Queer Music Scholarship
Eric Hung
pp. 129-140
DOI: https://doi.org/10.1353/wam.2018.0014

Kasahara and Iwaasa in Conversation
Teiya Kasahara, Rachel Kiyo Iwaasa, Rebecca Wiegand Coale
pp. 141-148
DOI: https://doi.org/10.1353/wam.2018.0015

Just Vibrations: The Purpose of Sounding Good by William Cheng (review)
Lauron Kehrer
pp. 153-157
DOI: https://doi.org/10.1353/wam.2018.0017

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