In this Issue

Table of Contents

Editor’s Note

David Brauner, Debra Shostak
p. 1
DOI: https://doi.org/10.5703/philrothstud.14.2.0001
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Did Roth Come?

Steven Sampson
pp. 2-15
DOI: https://doi.org/10.5703/philrothstud.14.2.0002
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The Aesthetics of Impersonation and DepersonalizationSamuel Beckett and Philip Roth

Joshua Powell
pp. 16-32
DOI: https://doi.org/10.5703/philrothstud.14.2.0016
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“This is life, bozo, not high art”Life, Literature, and the Academy in Philip Roth and Vladimir Nabokov

Luke Maxted
pp. 33-50
DOI: https://doi.org/10.5703/philrothstud.14.2.0033
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Philip Roth, Arthur Koestler, and the Varieties of Indignation

James Duban
pp. 51-65
DOI: https://doi.org/10.5703/philrothstud.14.2.0051
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What Is Secular Literature? Philip Roth as Case Study

Jacques Berlinerblau
pp. 66-89
DOI: https://doi.org/10.5703/philrothstud.14.2.0066
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Why Write? Collected Nonfiction 1960–2013 by Philip Roth (review)

James D. Bloom
pp. 90-95
DOI: https://doi.org/10.5703/philrothstud.14.2.0090
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Holocaust Impiety in Jewish American Literature: Memory, Identity, (Post-) Postmodernism by Joost Krijnen (review)

Jessica Lang
pp. 96-98
DOI: https://doi.org/10.5703/philrothstud.14.2.0096
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Annual Bibliography of Philip Roth Criticism and Resources—2017

Mike Witcombe
pp. 99-102
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Contributors

pp. 103-104
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