1. Living in a World without Sun: Jacques Cousteau, Homo aquaticus, and the Dream of Dwelling Undersea
  2. Jon Crylen
  3. pp. 1-23
  4. DOI: 10.1353/cj.2018.0068
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  1. From the Question of Soul to a Carnival of Souls: The Truncated Road Film, Gothic Automobiles, and Dangerous Women Drivers
  2. Kimberley Monteyne
  3. pp. 24-46
  4. DOI: 10.1353/cj.2018.0069
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  1. Malthus at the Movies: Science, Cinema, and Activism around Z.P.G. and Soylent Green
  2. Jesse Olszynko-Gryn, Patrick Ellis
  3. pp. 47-69
  4. DOI: 10.1353/cj.2018.0070
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  1. The Makings of a Contradictory Franchise: Revolutionary Melodrama and Cynicism in The Hunger Games
  2. Joe Tompkins
  3. pp. 70-90
  4. DOI: 10.1353/cj.2018.0071
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  1. (Dis)locating Spain: Performance Intertextualities in Pedro Almodóvar’s Todo sobre mi madre
  2. Duncan Wheeler
  3. pp. 91-117
  4. DOI: 10.1353/cj.2018.0072
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  1. The Pleasure of Mourning: Korean War Blockbusters in Post–Cold War South Korea, 1998–2008
  2. We Jung Yi
  3. pp. 118-140
  4. DOI: 10.1353/cj.2018.0073
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  1. Introduction
  2. David Church, Eric Schaefer
  3. pp. 141-146
  4. DOI: 10.1353/cj.2018.0074
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  1. Microhistories and Materiality in Adult Film History, or the Case of Erotic Salad
  2. Elena Gorfinkel
  3. pp. 147-152
  4. DOI: 10.1353/cj.2018.0075
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  1. The Adult Film History Project
  2. Peter Alilunas, Dan Erdman
  3. pp. 152-157
  4. DOI: 10.1353/cj.2018.0076
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  1. Oh Paris! The Journeys of Lasse Braun’s 8mm Pornography
  2. Mariah Larsson
  3. pp. 158-163
  4. DOI: 10.1353/cj.2018.0077
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  1. Porn Drift: Semantic Discord in the World of Gonzo
  2. Laura Helen Marks
  3. pp. 164-170
  4. DOI: 10.1353/cj.2018.0078
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  1. The Queer Heart of Porn Studies
  2. John Paul Stadler
  3. pp. 170-175
  4. DOI: 10.1353/cj.2018.0079
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  1. No Sex in Newark: Postindustrial Erotics at the Intersection of Urban and Adult Film History
  2. Whitney Strub
  3. pp. 175-181
  4. DOI: 10.1353/cj.2018.0080
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  1. Contributors
  3. pp. 181-182
  4. DOI: 10.1353/cj.2018.0081
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  1. Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema by Arnika Fuhrmann (review)
  2. Laura Isabel Serna, Mashinka Firunts Hakopian
  3. pp. 183-186
  4. DOI: 10.1353/cj.2018.0082
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  1. Hokum! The Early Sound Slapstick Short and Depression-Era Mass Culture by Rob King (review)
  2. Henry Jenkins
  3. pp. 187-190
  4. DOI: 10.1353/cj.2018.0083
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  1. Melodrama: An Aesthetics of Impossibility by Jonathan Goldberg (review)
  2. Anupama Kapse
  3. pp. 191-195
  4. DOI: 10.1353/cj.2018.0084
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  1. Spectacular Television: Exploring Televisual Pleasure by Helen Wheatley. I. B. Tauris (review)
  2. Emily Saidel
  3. pp. 196-199
  4. DOI: 10.1353/cj.2018.0085
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  1. Stealing the Show: African American Performers and Audiences in 1930s Hollywood by Miriam J. Petty (review)
  2. Samantha N. Sheppard
  3. pp. 199-203
  4. DOI: 10.1353/cj.2018.0086
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  1. Contributors
  3. p. 204
  4. DOI: 10.1353/cj.2018.0087
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