1. Introduction
  2. Sarah McCarroll
  3. pp. 5-10
  4. DOI: 10.1353/tsy.2018.0000
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  1. Plus que ReineThe Napoleonic Revival in Belle Epoque Theatre and Fashion
  2. Michele Majer
  3. pp. 11-39
  4. DOI: 10.1353/tsy.2018.0001
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  1. Creating a Realistic Rendering PedagogyThe Fashion Illustration Problem
  2. Caitlin Quinn
  3. pp. 40-48
  4. DOI: 10.1353/tsy.2018.0002
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  1. Where'd I Put My Character?The Costume Character Body and Essential Costuming for the Ensemble Actor
  2. Aly Renee Amidei
  3. pp. 49-57
  4. DOI: 10.1353/tsy.2018.0003
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  1. Embracing the ChaosCreating Costumes for Devised Work
  2. Kyla Kazuschyk
  3. pp. 58-71
  4. DOI: 10.1353/tsy.2018.0004
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  1. Dressing the ImageCostumes in Printed Theatrical Advertising
  2. David S. Thompson
  3. pp. 72-87
  4. DOI: 10.1353/tsy.2018.0005
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  1. Costuming the AudienceGentility, Consumption, and the Lady's Theatre Hat in Gilded Age America
  2. Leah Lowe
  3. pp. 88-99
  4. DOI: 10.1353/tsy.2018.0006
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  1. A Brand New Day on BroadwayThe Genius of Geoffrey Holder's Artistry and His Intentional Evocation of the African Diaspora
  2. Gregory S. Carr
  3. pp. 118-126
  4. DOI: 10.1353/tsy.2018.0008
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  1. "On the [Historical] Sublime"J. R. Planché's King John and the Romantic Ideal of the Past
  2. Andrew Gibb
  3. pp. 127-140
  4. DOI: 10.1353/tsy.2018.0009
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  1. Contributors
  2. pp. 141-143
  3. DOI: 10.1353/tsy.2018.0010
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