1. The Spirit of Electricity": Henry James's In the Cage and Electric Female Imagination at the Turn of the Century
  2. Haley Larsen
  3. pp. 357-387
  4. DOI: 10.1353/con.2018.0033
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  1. Cosmetic Surgery as "Cut-Up": The Body and Gender in Breyer P-Orridge's Pandrogeny
  2. Rachel Alpha Johnston Hurst, Luna Dolezal
  3. pp. 389-409
  4. DOI: 10.1353/con.2018.0034
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  1. Databases and Doppelgängers: New Articulations of Power
  2. Sandra Robinson
  3. pp. 411-440
  4. DOI: 10.1353/con.2018.0035
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  1. The Rise of Machines in Reformation Nuremberg: Jakob Ayrer's "Fastnachtspiel of Fritz Dölla with His Bewitched Fiddle"
  2. Alexander Jakobidze-Gitman
  3. pp. 441-469
  4. DOI: 10.1353/con.2018.0036
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  1. The Aesthetics of Pain: Semiotics and Affective Comprehension in Music, Literature, and Sensate Experience
  2. Ronald Schleifer
  3. pp. 471-491
  4. DOI: 10.1353/con.2018.0037
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  1. Transhumanism: Evolutionary Futurism and the Human Technologies of Utopia by Andrew Pilsch (review)
  2. Gerry Canavan
  3. pp. 493-495
  4. DOI: 10.1353/con.2018.0038
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  1. Instrumental Intimacy: EEG Wearables and Neuroscientific Control by Melissa Littlefield (review)
  2. Matthew Wade
  3. pp. 495-499
  4. DOI: 10.1353/con.2018.0039
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  1. Nineteenth-Century Verse and Technology: Machines of Meter by Jason David Hall (review)
  2. Gregory Tate
  3. pp. 499-502
  4. DOI: 10.1353/con.2018.0040
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  1. Ecocriticism on the Edge: The Anthropocene as a Threshold Concept by Timothy Clark (review)
  2. Derek Woods
  3. pp. 502-504
  4. DOI: 10.1353/con.2018.0041
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  1. Contributor
  3. pp. 505-507
  4. DOI: 10.1353/con.2018.0042
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