In this Issue

Table of Contents

Nótaí na nEagarthóirí: Editors’ Notes

pp. 5-8
DOI: https://doi.org/10.1353/nhr.2018.0014
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The Irish Gambit

Shawn Gillen
pp. 9-18
DOI: https://doi.org/10.1353/nhr.2018.0015
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Sean O’Faolain’s An Irish Journey:: Globalism, Tourism, and Labor in Provincial Ireland

Michael E. Beebe
pp. 19-37
DOI: https://doi.org/10.1353/nhr.2018.0016
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Young and Old Ireland: Repeal Politics in Belfast, 1846–1848

Kerron Ó Luain
pp. 38-53
DOI: https://doi.org/10.1353/nhr.2018.0017
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Is Irish-Language Publishing at a Crossroads?

Brian Ó Conchubhair, Máirín Nic Eoin, Micheál Ó Conghaile, Philip O’Leary
pp. 54-66
DOI: https://doi.org/10.1353/nhr.2018.0019
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Clúdach: Cover

p. 66
DOI: https://doi.org/10.1353/nhr.2018.0018
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Filíocht Nua: New Poetry

Moya Cannon
pp. 67-73
DOI: https://doi.org/10.1353/nhr.2018.0020
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The Emergent Postsecular in Contemporary Irish Literature

John C. Kerrigan
pp. 74-92
DOI: https://doi.org/10.1353/nhr.2018.0021
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“To Say No and No and No Again”: Fasting Girls, Shame, and Storytelling in Emma Donoghue’s The Wonder

Molly Ferguson
pp. 93-108
DOI: https://doi.org/10.1353/nhr.2018.0022
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Staging the Revolution: Rossini’s Guillaume Tell and Sydney Owenson’s The O’Briens and the O’Flahertys

Matthew L. Reznicek
pp. 109-127
DOI: https://doi.org/10.1353/nhr.2018.0023
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Yeats’s Ideal Others: William Blake and Dante Alighieri

Caron Barry
pp. 128-145
DOI: https://doi.org/10.1353/nhr.2018.0024
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Staging Parnell: Biodrama at the Early Abbey Theatre

Elizabeth Mannion
pp. 146-158
DOI: https://doi.org/10.1353/nhr.2018.0025
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Time Pieces: A Dublin Memoir by John Banville (review)

Kieran Quinlan
pp. 159-160
DOI: https://doi.org/10.1353/nhr.2018.0026
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