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Table of Contents

  1. Nótaí na nEagarthóirí: Editors’ Notes
  2. pp. 5-8
  3. DOI: https://doi.org/10.1353/nhr.2018.0014
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  1. The Irish Gambit
  2. Shawn Gillen
  3. pp. 9-18
  4. DOI: https://doi.org/10.1353/nhr.2018.0015
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  1. Sean O’Faolain’s An Irish Journey:: Globalism, Tourism, and Labor in Provincial Ireland
  2. Michael E. Beebe
  3. pp. 19-37
  4. DOI: https://doi.org/10.1353/nhr.2018.0016
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  1. Young and Old Ireland: Repeal Politics in Belfast, 1846–1848
  2. Kerron Ó Luain
  3. pp. 38-53
  4. DOI: https://doi.org/10.1353/nhr.2018.0017
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  1. Is Irish-Language Publishing at a Crossroads?
  2. Brian Ó Conchubhair, Máirín Nic Eoin, Micheál Ó Conghaile, Philip O’Leary
  3. pp. 54-66
  4. DOI: https://doi.org/10.1353/nhr.2018.0019
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  1. Clúdach: Cover
  2. p. 66
  3. DOI: https://doi.org/10.1353/nhr.2018.0018
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  1. Filíocht Nua: New Poetry
  2. Moya Cannon
  3. pp. 67-73
  4. DOI: https://doi.org/10.1353/nhr.2018.0020
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  1. The Emergent Postsecular in Contemporary Irish Literature
  2. John C. Kerrigan
  3. pp. 74-92
  4. DOI: https://doi.org/10.1353/nhr.2018.0021
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  1. “To Say No and No and No Again”: Fasting Girls, Shame, and Storytelling in Emma Donoghue’s The Wonder
  2. Molly Ferguson
  3. pp. 93-108
  4. DOI: https://doi.org/10.1353/nhr.2018.0022
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  1. Staging the Revolution: Rossini’s Guillaume Tell and Sydney Owenson’s The O’Briens and the O’Flahertys
  2. Matthew L. Reznicek
  3. pp. 109-127
  4. DOI: https://doi.org/10.1353/nhr.2018.0023
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  1. Yeats’s Ideal Others: William Blake and Dante Alighieri
  2. Caron Barry
  3. pp. 128-145
  4. DOI: https://doi.org/10.1353/nhr.2018.0024
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  1. Staging Parnell: Biodrama at the Early Abbey Theatre
  2. Elizabeth Mannion
  3. pp. 146-158
  4. DOI: https://doi.org/10.1353/nhr.2018.0025
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  1. Time Pieces: A Dublin Memoir by John Banville (review)
  2. Kieran Quinlan
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/nhr.2018.0026
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