1. Trust in Invisible Agents
  2. Drew Hemment
  3. p. 450
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  1. Virtual Reality—Virtual Brain: Questioning Reality
  2. Teresa Wennberg
  3. pp. 453-459
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  1. Color Plate Insert
  2. pp. 461-464
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  1. Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance
  2. PerMagnus Lindborg
  3. pp. 466-474
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  1. Advanced Constructivism and Postgravity Art: Theoretical and Philosophical Implications
  2. Mojca Puncer
  3. pp. 475-481
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  1. Walk-in Theater: Interaction Design for a Miniature Experience with Peripatetic Cinema
  2. Rachel Strickland, Eric Gould Bear, Jim McKee
  3. pp. 482-490
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  1. A Virtual Three-Dimensional Model of Las Meninas: Paradox or Mirror Image?
  2. Luis Ramón-Laca
  3. pp. 492-497
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  1. Sculpture in Space: Flotation and Levitation in Postwar Art
  2. Stephen Petersen
  3. pp. 498-502
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  1. The Character Thinks Ahead: Creative Writing with Deep Learning Nets and Its Stylistic Assessment
  2. Roger T. Dean, Hazel Smith
  3. pp. 503-504
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  1. Abstract of: A Geometric Surprise in Dürer’s Engraving of St. Jerome in His Study
  2. Dennis Couzin
  3. pp. 505-506
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  1. Scanning Electron Microscope: Transmigration of Scientific Photography into the Domain of Art
  2. Anastasia Tyurina
  3. pp. 507-508
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  1. Modeling the Immune System with Gestures: A Choreographic View of Embodiment in Science
  2. Klaus Spiess, Lucie Strecker, Michael Kimmel, Melanie Martes, Peter Pietschmann
  3. pp. 509-516
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  1. Surrounded: A Series of Sound Installations That Combine Plant Electrophysiology and 3D Sonic Art
  2. Augustine Leudar
  3. pp. 517-523
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  1. Top-Rated LABS Abstracts 2017
  2. Sheila Pinkel
  3. p. 524
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  1. Amplifying Ambiguities: Art on the Fringes of Biotechnology
  2. Nora S. Vaage
  3. p. 525
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  1. Transductive Praxis in Bioart
  2. Tyler Fox
  3. p. 526
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  1. Duchamp Meets Turing: Art, Modernism, Posthuman
  2. Gabriela Galati
  3. p. 527
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  1. Microsound, Spectra, and Objectivity: Tracing Memetics in Organized Sound
  2. Vincent Giles
  3. p. 527
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  1. Composing [De]Composition: Data Sonification for Sound Art and Music Composition
  2. Jennifer no.e Parker
  3. p. 528
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  1. When Crispr Meets Art: The Experience of Relationality Through the Affective Agency of Matter
  2. Lotte Pet
  3. p. 528
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  1. Computer Art and Actor-Network Theory: Actants and Intersubjective Associations in Scene
  2. Carlos C. Praude
  3. p. 529
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  1. The Practices of Art and Science
  2. Hannah Star Rogers
  3. p. 530
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  1. Executing Liveness: An Examination of the Live Dimension of Code Inter-actions in Software (Art) Practice
  2. Winnie Soon
  3. p. 530
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  1. Contemporary Urban Media Art—Images of Urgency: A Curatorial Inquiry
  2. Tanya Toft
  3. p. 531
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  1. Live Brain–Computer Cinema Performance
  2. Polina Zioga
  3. p. 531
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  1. Film as Philosophy ed. by Bernd Herzogenrath (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Will Luers
  3. pp. 533-534
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  1. Gallery Sound by Caleb Kelly (review)
  2. John F. Barber
  3. p. 534
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  1. Textures of the Anthropocene: Grain Vapor Ray by Katrin Klingan, et al. (review)
  2. Edith Doove
  3. pp. 535-536
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  1. So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein by Jeff Solomon (review)
  2. Jan Baetens
  3. pp. 536-537
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  1. Patrick Tresset: Human Traits and the Art of Creative Machines ed. by Ryszard W. Kluszczyński (review)
  2. Rob Harle
  3. pp. 537-538
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  1. Live Wires: A History of Electronic Music by Daniel Warner (review)
  2. John F. Barber
  3. pp. 538-539
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  1. Chinese Dance: In the Vast Land and Beyond by Shih-Ming Li Chang, Lynn Frederiksen (review)
  2. Jonathan Zilberg
  3. pp. 539-541
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  1. Arthur Balfour’s Ghosts: An Edwardian Elite and the Riddle of Cross-Correspondence Automatic Writings by Trevor Hamilton (review)
  2. Anna Walker
  3. pp. 541-542
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  1. Code and Clay, Data and Dirt: Five Thousand Years of Urban Media by Shannon Mattern (review)
  2. Jussi Parikka
  3. pp. 542-543
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  1. Modernist Informatics: Literature, Information, and the State by James Purdon (review)
  2. Boris Jardine
  3. pp. 543-545
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  1. Mentored by a Madman: The William Burroughs Experiment by A.J. Lees (review)
  2. Jan Baetens
  3. pp. 545-546
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  1. Childart Magazine: Arts and Mind—The Brain Science of Human Experience (July–September 2017) ed. by Ashfaq Ishaq (review)
  2. Amy Ione
  3. pp. 546-548
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  2. p. 548
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  1. The Network
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  1. Art, Aliens and the Machine
  2. G.W. Smith
  3. pp. 551-552
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