1. Mme Riccoboni in Defense of Female SuicideHistoire du Marquis de Cressy (1758)
  2. Marijn S. Kaplan
  3. pp. 1-16
  4. DOI: 10.1353/frf.2018.0000
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  1. De la clairvoyance à la damnation—L'Aveugle de Théophile Gautier dans son contexte romantique
  2. Claudia Jacobi
  3. pp. 17-32
  4. DOI: 10.1353/frf.2018.0001
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  1. Détails et détours dans Trois auteurs de Pierre Michon
  2. Yona Hanhart-Marmor
  3. pp. 33-46
  4. DOI: 10.1353/frf.2018.0002
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  1. Producing a "Relevant" TranslationA Derridean Approach to Annie Ernaux's L'Evénement
  2. Cathy Jellenik
  3. pp. 47-63
  4. DOI: 10.1353/frf.2018.0003
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  1. Corporeal Borders and Inhabited Bodies as Exilic Space in the Theater of Wajdi Mouawad and Marie NDiaye
  2. Angela Ritter
  3. pp. 81-95
  4. DOI: 10.1353/frf.2018.0005
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  1. Dany Laferrière's Aesthetic of Recycling
  2. Oana Sabo
  3. pp. 97-111
  4. DOI: 10.1353/frf.2018.0006
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  1. Tracing the Obscure ImageMaurice Blanchot on Photography
  2. Patrick James Lyons
  3. pp. 113-129
  4. DOI: 10.1353/frf.2018.0007
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  1. Vérité, science, pouvoirMichel Foucault, historien des sciences au Collège de France
  2. Jerome Lamy
  3. pp. 131-146
  4. DOI: 10.1353/frf.2018.0008
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  1. Au miroir du septième artPortrait de Hollywood chez Dekobra, Cendrars & Kessel
  2. Nadja Cohen, David Martens
  3. pp. 147-165
  4. DOI: 10.1353/frf.2018.0009
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  1. Surrealist Ghostliness by Conley Katharine (review)
  2. Jean-Michel Rabaté
  3. pp. 169-172
  4. DOI: 10.1353/frf.2018.0011
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  1. French Feminisms 1975 and After: New Readings, New Texts ed. by Margaret Atack ed al (review)
  2. Adrienne Angelo
  3. pp. 173-176
  4. DOI: 10.1353/frf.2018.0012
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  1. Books Received
  2. p. 177
  3. DOI: 10.1353/frf.2018.0013
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