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Table of Contents

  1. Weak Theory, Weak Modernism
  2. Paul K. Saint-Amour
  3. pp. 437-459
  4. DOI: https://doi.org/10.1353/mod.2018.0035
  5. restricted access
  1. The Agonies of Ambivalence: Anna Mendelssohn, la poétesse maudite
  2. Sara Crangle
  3. pp. 461-497
  4. DOI: https://doi.org/10.1353/mod.2018.0036
  5. restricted access
  1. On Being Criticized
  2. Grace Lavery
  3. pp. 499-516
  4. DOI: https://doi.org/10.1353/mod.2018.0037
  5. restricted access
  1. Obliterature: Toward an Amateur Criticism
  2. Melanie Micir, Aarthi Vadde
  3. pp. 517-549
  4. DOI: https://doi.org/10.1353/mod.2018.0038
  5. restricted access
  1. Volitional Etiologies: Toward a Weak Theory of Etiology
  2. Benjamin Kahan
  3. pp. 551-568
  4. DOI: https://doi.org/10.1353/mod.2018.0039
  5. restricted access
  1. The Weak Powers of Digital Modernist Studies
  2. Gabriel Hankins
  3. pp. 569-585
  4. DOI: https://doi.org/10.1353/mod.2018.0040
  5. restricted access
  1. Weak Network: Faulkner's Transpacific Reparations
  2. Wai Chee Dimock
  3. pp. 587-602
  4. DOI: https://doi.org/10.1353/mod.2018.0041
  5. restricted access
  1. Human Programming: Brainwashing, Automatons, and American Unfreedom by Scott Selisker (review)
  2. Timothy Wientzen
  3. pp. 603-605
  4. DOI: https://doi.org/10.1353/mod.2018.0042
  5. restricted access
  1. The Death of the Book: Modernist Novels and the Time of Reading by John Lurz (review)
  2. Joseph Elkanah Rosenberg
  3. pp. 605-607
  4. DOI: https://doi.org/10.1353/mod.2018.0043
  5. restricted access
  1. Portable Modernisms: The Art of Travelling Light by Emily Ridge (review)
  2. Susanne S. Cammack
  3. pp. 607-609
  4. DOI: https://doi.org/10.1353/mod.2018.0044
  5. restricted access
  1. The Poetry of the Americas: From Good Neighbors to Countercultures by Harris Feinsod (review)
  2. Michael Dowdy
  3. pp. 610-613
  4. DOI: https://doi.org/10.1353/mod.2018.0045
  5. restricted access
  1. The New Poetics of Climate Change: Modernist Aesthetics for a Warming World by Matthew Griffiths (review)
  2. Jessica Martell
  3. pp. 613-616
  4. DOI: https://doi.org/10.1353/mod.2018.0046
  5. restricted access
  1. The Flood Year 1927: A Cultural History by Susan Scott Parrish (review)
  2. Robert Jackson
  3. pp. 616-618
  4. DOI: https://doi.org/10.1353/mod.2018.0047
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  1. Consumerism, Waste, and Re-Use in Twentieth-Century Fiction: Legacies of the Avant-Garde by Rachele Dini (review)
  2. Raymond Spiteri
  3. pp. 618-620
  4. DOI: https://doi.org/10.1353/mod.2018.0048
  5. restricted access
  1. Surrealism in Egypt: Modernism and the Art and Liberty Group by Sam Bardaouil (review)
  2. Nadia Bou Ali
  3. pp. 621-623
  4. DOI: https://doi.org/10.1353/mod.2018.0049
  5. restricted access
  1. Space as Storyteller: Spatial Jumps in Architecture, Critical Theory, and Literature by Laura Chiesa (review)
  2. David Spurr
  3. pp. 623-627
  4. DOI: https://doi.org/10.1353/mod.2018.0050
  5. restricted access
  1. Post-Mandarin: Masculinity and Aesthetic Modernity in Colonial Vietnam by Ben Tran (review)
  2. Tess Do
  3. pp. 627-630
  4. DOI: https://doi.org/10.1353/mod.2018.0051
  5. restricted access
  1. Recent Books of Interest
  3. pp. 631-632
  4. DOI: https://doi.org/10.1353/mod.2018.0052
  5. restricted access