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Table of Contents

  1. Notes on Contributors
  3. DOI: https://doi.org/10.1353/pmc.2017.0008
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  1. Revisiting the Final GirlLooking Backwards, Looking Forwards
  2. Katarzyna Paszkiewicz, Stacy Rusnak
  3. DOI: https://doi.org/10.1353/pmc.2017.0009
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  1. The Final Girl at the U.S.-Mexico Border: The Politics of Saving and Surviving in Undocumented (2010)
  2. Lucia Mulherin Palmer
  3. DOI: https://doi.org/10.1353/pmc.2017.0010
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  1. X-Ray (1981), the Final Woman, and the Medical Slasher Film
  2. Murray Leeder
  3. DOI: https://doi.org/10.1353/pmc.2017.0011
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  1. The Unsettled Surface of the Document: Seams, Erosion, and After-images in Charles Reznikoff's Holocaust
  2. James Belflower
  3. DOI: https://doi.org/10.1353/pmc.2017.0012
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  1. On Media and Mortality. A review of Marcel O'Gorman, Necromedia
  2. Carol Colatrella
  3. DOI: https://doi.org/10.1353/pmc.2017.0013
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  1. Audiences, Publics, Speech. A review of Adair Rounthwaite, Asking the Audience:: Participatory Art in 1980s New York
  2. Martin Harries
  3. DOI: https://doi.org/10.1353/pmc.2017.0014
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  1. Inherent Enchantments. A review of Jeffrey Jerome Cohen's Stone: An Ecology of the Inhuman
  2. Tracy Lassiter
  3. DOI: https://doi.org/10.1353/pmc.2017.0015
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  1. The Swarming of Mimesis. A review of William Connolly, Facing the Planetary: Entangled Humanism and the Politics of Swarming
  2. Nidesh Lawtoo
  3. DOI: https://doi.org/10.1353/pmc.2017.0016
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  1. To Save Materialism from Itself. A review of Elizabeth Grosz, The Incorporeal: Ontology, Ethics, and the Limits of Materialism
  2. Tano S. Posteraro
  3. DOI: https://doi.org/10.1353/pmc.2017.0017
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