1. From the Editor
  2. Siyuan Liu
  3. pp. iii-v
  4. DOI: 10.1353/atj.2018.0032
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  1. Three Heroes: Haseyama Toshihiko's Student Play in Wartime Japan
  2. Hanae Kurihara Kramer, Scott Kramer
  3. pp. 273-299
  4. DOI: 10.1353/atj.2018.0033
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  1. The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets: The Structure of the Conjuncture
  2. Matthew Isaac Cohen
  3. pp. 300-328
  4. DOI: 10.1353/atj.2018.0034
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  1. Gendered Nostalgia: Tajik Traditional Dance and the Logic of Nationalism
  2. Emelie Mahdavian
  3. pp. 329-353
  4. DOI: 10.1353/atj.2018.0035
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  1. The Process of Institutionalization of Chinese Dance in Singapore, 1980s–1990s
  2. Joey Chua
  3. pp. 354-377
  4. DOI: 10.1353/atj.2018.0036
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  1. The Method of Action Analysis and the North Korean Realism Theatre in the 1960s
  2. Jae-beom Hong, Seong-kwan Cho
  3. pp. 378-394
  4. DOI: 10.1353/atj.2018.0037
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  1. Protesting Female Feticide and Hope for a New Earth: A Study of A. Mangai's Pacha mannu (The New Born)
  2. Rajni Singh, Soumya Mohan Ghosh
  3. pp. 395-417
  4. DOI: 10.1353/atj.2018.0038
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  1. A Queer Fantasy World of The New Member: The Phenomenon of the First Boys' Love Musical in Taiwan
  2. Wen-ling Lin
  3. pp. 418-442
  4. DOI: 10.1353/atj.2018.0039
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  1. Jewelry Purse: The Soul of the Cheng School in Jingju
  2. Huang Qinghuan
  3. pp. 443-461
  4. DOI: 10.1353/atj.2018.0040
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  1. To Complete the Circuit: Reinterpreting Brecht's The Caucasian Chalk Circle as Chuanju (Sichuan Opera) The Chalk Circle
  2. Wei Zhang
  3. pp. 462-482
  4. DOI: 10.1353/atj.2018.0041
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  1. Kpop by Ars Nova (review)
  2. Claudia Orenstein
  3. pp. 483-487
  4. DOI: 10.1353/atj.2018.0042
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  1. Rasa dance festival by Akshara (review)
  2. Emily Wilcox
  3. pp. 487-490
  4. DOI: 10.1353/atj.2018.0043
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  1. M. Butterfly by David Henry Hwang (review)
  2. Claudia Orenstein
  3. pp. 490-495
  4. DOI: 10.1353/atj.2018.0044
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  1. Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka ed. by Ashis Sengupta (review)
  2. Arnab Banerji
  3. pp. 496-499
  4. DOI: 10.1353/atj.2018.0045
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  1. Glove Puppet Theatre in Southeast Asia and Taiwan ed. by Kaori Fushiki and Robin Ruizendaal (review)
  2. Matthew Isaac Cohen
  3. pp. 500-502
  4. DOI: 10.1353/atj.2018.0046
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  1. Chinatown Opera Theater in North America by Nancy Yunhwa Rao (review)
  2. Xing Fan
  3. pp. 502-506
  4. DOI: 10.1353/atj.2018.0047
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  1. Performing Korea by Patrice Pavis (review)
  2. J. Hwang Yuh
  3. pp. 506-508
  4. DOI: 10.1353/atj.2018.0048
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  1. Comic Performance in Pakistan: The Bhānd by Claire Pamment (review)
  2. David Mason
  3. pp. 508-511
  4. DOI: 10.1353/atj.2018.0049
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