1. Reader, Response, Theory: The Nineteenth-Century Fantastic as a Counter-Enlightenment Mode
  2. Corry Cropper, Graham Harman
  3. pp. 1-14
  4. DOI: 10.1353/ncf.2018.0016
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  1. Chateaubriand ou la polysémie des archives
  2. Jacob Lachat
  3. pp. 15-31
  4. DOI: 10.1353/ncf.2018.0017
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  1. L'Observation, la mémoire et le prix de l'expérience dans La Comédie humaine
  2. Lucien Derainne
  3. pp. 32-47
  4. DOI: 10.1353/ncf.2018.0018
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  1. Terre(ur): Reading the Landscape of Conspiracy in Balzac's Une ténébreuse affaire
  2. Rebecca Sugden
  3. pp. 48-65
  4. DOI: 10.1353/ncf.2018.0019
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  1. Poetic Jolts, Autobiographical Infatuations: The Origins of Hector Berlioz's Les Troyens
  2. Dane Stalcup
  3. pp. 66-81
  4. DOI: 10.1353/ncf.2018.0020
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  1. Les Limites de l'engagement politique et social des premiers réalistes (1849–1857)
  2. Gilles Castagnès
  3. pp. 82-98
  4. DOI: 10.1353/ncf.2018.0021
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  1. Poetry on Stage: Baudelaire's Theater Voices
  2. Helen Abbott
  3. pp. 99-113
  4. DOI: 10.1353/ncf.2018.0022
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  1. Copies and Perceptions: Human Expression in Duchenne and Zola
  2. Margot Szarke
  3. pp. 114-131
  4. DOI: 10.1353/ncf.2018.0023
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  1. Blank Space and Affect: Reading Mallarmé through Balzac and Blanchot
  2. Claire Chi-ah Lyu
  3. pp. 132-149
  4. DOI: 10.1353/ncf.2018.0024
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