In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 62, Number 3, Fall 2018 (T239)Table of Contents
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View Notes for a novel or perhaps a play or score or guide or a creative reimagining/retelling of a re-performance in which two bodies navigate the pleasures and perils of human intimacy, both romantic and platonic. Or as it is commonly referred to by those who have survived it:: "An Unyielding Commitment to Matters of that Steady Beat in the Chest"
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Notes for a novel or perhaps a play or score or guide or a creative reimagining/retelling of a re-performance in which two bodies navigate the pleasures and perils of human intimacy, both romantic and platonic. Or as it is commonly referred to by those who have survived it:: "An Unyielding Commitment to Matters of that Steady Beat in the Chest"
- Save Notes for a novel or perhaps a play or score or guide or a creative reimagining/retelling of a re-performance in which two bodies navigate the pleasures and perils of human intimacy, both romantic and platonic. Or as it is commonly referred to by those who have survived it:: "An Unyielding Commitment to Matters of that Steady Beat in the Chest"
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View Unsettled Matters, Falling FlightDecolonial Protest and the Becoming-Material of an Imperial Statue
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Unsettled Matters, Falling FlightDecolonial Protest and the Becoming-Material of an Imperial Statue
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View DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática by Felicia Rice et al. (review)
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DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática by Felicia Rice et al. (review)
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View Discipline and Desire: Surveillance Technologies in Performance by Elise Morrison, and: Dark Matters: On the Surveillance of Blackness by Simone Browne (review)
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Discipline and Desire: Surveillance Technologies in Performance by Elise Morrison, and: Dark Matters: On the Surveillance of Blackness by Simone Browne (review)
- Save Discipline and Desire: Surveillance Technologies in Performance by Elise Morrison, and: Dark Matters: On the Surveillance of Blackness by Simone Browne (review)
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View The Aging Body in Dance: A Cross-Cultural Perspective eds. by Nanako Nakajima and Gabriele Brandstetter, and: Dancing Age(ing): Rethinking Age(ing) in and through Improvisation Practice and Performance by Susanne Martin (review)
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The Aging Body in Dance: A Cross-Cultural Perspective eds. by Nanako Nakajima and Gabriele Brandstetter, and: Dancing Age(ing): Rethinking Age(ing) in and through Improvisation Practice and Performance by Susanne Martin (review)
- Save The Aging Body in Dance: A Cross-Cultural Perspective eds. by Nanako Nakajima and Gabriele Brandstetter, and: Dancing Age(ing): Rethinking Age(ing) in and through Improvisation Practice and Performance by Susanne Martin (review)
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View Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972 eds. by Ninotchka Bennahum, Wendy Perron, and Bruce Robertson, and: The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci by Elise Archias (review)
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Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972 eds. by Ninotchka Bennahum, Wendy Perron, and Bruce Robertson, and: The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci by Elise Archias (review)
- Save Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972 eds. by Ninotchka Bennahum, Wendy Perron, and Bruce Robertson, and: The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci by Elise Archias (review)
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View Soft Is Fast: Simone Forti in the 1960s and After by Meredith Morse, and: Rhythm Field: The Dance of Molissa Fenley eds. by Ann Murphy and Molissa Fenley (review)
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Soft Is Fast: Simone Forti in the 1960s and After by Meredith Morse, and: Rhythm Field: The Dance of Molissa Fenley eds. by Ann Murphy and Molissa Fenley (review)
- Save Soft Is Fast: Simone Forti in the 1960s and After by Meredith Morse, and: Rhythm Field: The Dance of Molissa Fenley eds. by Ann Murphy and Molissa Fenley (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2018-08-29 |
| Open Access | No |
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Copyright © New York University and the Massachusetts Institute of Technology.




