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In this Issue

Table of Contents

  1. Notes for a novel or perhaps a play or score or guide or a creative reimagining/retelling of a re-performance in which two bodies navigate the pleasures and perils of human intimacy, both romantic and platonic. Or as it is commonly referred to by those who have survived it:: "An Unyielding Commitment to Matters of that Steady Beat in the Chest"
  2. EJ Hill
  3. p. 2
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  1. Born-Digital Scholarship
  2. Erin B. Mee
  3. pp. 8-9
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  1. Mel Gordon1947–2018
  2. Atay Citron
  3. pp. 10-11
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  1. EncounteringThe Conceptual Body, or a Theory of When, Where, and How Art "Means"
  2. Amelia Jones
  3. pp. 12-34
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  1. There's a lot of work to do to turn this thing aroundAn Interview with Anna Deavere Smith
  2. Richard Schechner
  3. pp. 35-50
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  1. Carl Weber1925–2016
  2. Kathryn Mederos Syssoyeva
  3. pp. 51-54
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  1. The Voice from the 10th RowCarl Weber and the Berliner Ensemble
  2. Branislav Jakovljević, Keara Harman, Michael Hunter, Jamie Lyons, Lindsey Mantoan, Ljubiša Matić, Ciara Murphy, Jens Pohlmann, Ryan Tacata, Giulia Vittori
  3. pp. 55-108
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  1. The Dance That Will Not DieRefracting Imperial Whiteness through The Dying Swan
  2. Julian B. Carter
  3. pp. 109-129
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  1. Unsettled Matters, Falling FlightDecolonial Protest and the Becoming-Material of an Imperial Statue
  2. Joanna Ruth Evans
  3. pp. 130-144
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  1. Performing LoiteringFeminist Protest in the Indian City
  2. K. Frances Lieder
  3. pp. 145-161
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  1. Gallows HospitalityVisiting Hangman Takuzō's Garden Theatre
  2. Reginald Jackson
  3. pp. 162-168
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  1. "What Shall We Do?"Kathy Change, Soomi Kim, and Asian Feminist Performance on Campus
  2. Vivian L. Huang
  3. pp. 168-174
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  1. Performance Studies in Canada eds. by Laura Levin and Marlis Schweitzer (review)
  2. Tracy C. Davis
  3. pp. 175-176
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  1. The Craft of Ritual Studies by Ronald L. Grimes (review)
  2. Helen Phelan
  3. pp. 177-178
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  1. DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática by Felicia Rice et al. (review)
  2. Jennifer Buckley
  3. pp. 179-181
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  1. Discipline and Desire: Surveillance Technologies in Performance by Elise Morrison, and: Dark Matters: On the Surveillance of Blackness by Simone Browne (review)
  2. Kalle Westerling
  3. pp. 181-184
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  1. The Aging Body in Dance: A Cross-Cultural Perspective eds. by Nanako Nakajima and Gabriele Brandstetter, and: Dancing Age(ing): Rethinking Age(ing) in and through Improvisation Practice and Performance by Susanne Martin (review)
  2. Megan V. Nicely
  3. pp. 184-187
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  1. Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972 eds. by Ninotchka Bennahum, Wendy Perron, and Bruce Robertson, and: The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci by Elise Archias (review)
  2. Biba Bell
  3. pp. 188-191
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  1. Soft Is Fast: Simone Forti in the 1960s and After by Meredith Morse, and: Rhythm Field: The Dance of Molissa Fenley eds. by Ann Murphy and Molissa Fenley (review)
  2. Emily Coates
  3. pp. 191-194
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  1. More Books
  2. Coleman Nye
  3. pp. 195-197
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