1. Cutting Edge of the Contemporary: KNUST, Accra, and the Ghanaian Contemporary Art Movement
  2. Rebecca Martin Nagy, Alissa Marie Jordan
  3. pp. 1-8
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  1. Two Works by Ghanaian Artists: The Harn Museum of Art University of Florida
  2. Susan Cooksey
  3. p. 9
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  1. Locating Senghor’s École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980
  2. Joshua I. Cohen
  3. pp. 10-25
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  1. Performing Realization: The Sufi Music Videos of the Taalibe Baye of Dakar
  2. Oludamini Ogunnaike
  3. pp. 26-39
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  1. The Mantis Wedding: Performing Power in the Loom
  2. Philippa Hobbs
  3. pp. 40-51
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  1. Visualizing Marriage in Northern Ethiopia: The Production and Consumption of Gama
  2. Leah Niederstadt
  3. pp. 52-73
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  1. A Twin Image from Abeokuta, Nigeria
  2. Tim Chappel
  3. pp. 74-77
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  1. L’Afrique des Routes by Gaëlle Beaujean (review)
  2. Rebecca Fenton
  3. pp. 78-80
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  1. Senufo: Art and Identity in West Africa by Constantine Petridis and Susan Elizabeth Gagliardi (review)
  2. Carlee S. Forbes
  3. pp. 81-83
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  1. Made to Move: African Nomadic Design by Risham Majeed (review)
  2. Kevin D. Dumouchelle
  3. pp. 84-85
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  1. The White Hunter: African Memories and Representations by Marco Scotini (review)
  2. Helena Cantone
  3. pp. 86-88
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  1. Making Africa: A Continent of Contemporary Design by Amelie Klein, Okwui Enwezor, and Julia Friedel (review)
  2. Caitlin Glosser
  3. pp. 89-91
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  1. Authentically African: Arts and the Transnational Politics of Congolese Culture by Sarah Van Beurden (review)
  2. Z.S. Strother
  3. pp. 92-93
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  1. South Africa: The Art of a Nation by John Giblin, Chris Spring (review)
  2. Amy Nygaard Mickelson
  3. pp. 93-94
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  1. The Art of Life in South Africa by Daniel Magaziner (review)
  2. Eyitayo Tolulope Ijisakin
  3. pp. 95-96
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