1. Editors' Foreword: Digital Tools and Networks
  2. Donald Crafton, Susan Ohmer
  3. pp. vii-x
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  1. Guest Editors' Foreword: Digital Humanities and/in Film archives
  2. Dimitrios Latsis, Grazia Ingravalle
  3. pp. xi-xv
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  1. Archives for Education: The Creative Reuse of Moving Images in the United Kingdom
  2. Shane O'Sullivan
  3. pp. xvi-19
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  1. Toward a Public Media Archaeology: Museums, Media, and Historiography
  2. Philipp Dominik Keidl
  3. pp. 20-39
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  1. Film Analysis as Annotation: Exploring Current Tools
  2. Liliana Melgar Estrada, Eva Hielscher, Marijn Koolen, Christian Gosvig Olesen, Julia Noordegraaf, Jaap Blom
  3. pp. 40-70
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  1. A Digital Humanities Approach to Film Colors
  2. Barbara Flueckiger
  3. pp. 71-94
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  1. (Micro)film Studies
  2. María Antonia Vélez-Serna
  3. pp. 95-100
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  1. Tracing a Community of Practice: A Database of Early African American Race Film
  2. Marika Cifor, Hanna Girma, William Lam, Shanya Norman, Miriam Posner, Karla Contreras, Aya Grace Yoshioka
  3. pp. 101-105
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  1. The Amateur Movie Database: Archives, Publics, Digital Platforms
  2. Charles Tepperman
  3. pp. 106-110
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  1. The Amateur City: Digital Platforms and Tools for Research and Dissemination of Films Representing the Italian Urban Landscape
  2. Paolo Simoni
  3. pp. 111-118
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  1. Mapping the Traces of the Media Arts Center Movement
  2. Lindsay Kistler Mattock
  3. pp. 119-128
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  1. The Short Film Pool Project: Saving Short Films from Oblivion in the Digital Era
  2. Simona Monizza
  3. pp. 129-135
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  1. Conference Report on Transformations I: Cinema and Media Studies Research Meets Digital Humanities Tools (April 15–16, 2016, New York City)
  2. Marina Hassapopoulou
  3. pp. 135-139
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  1. The Arclight Guidebook to Media History and the Digital Humanities eds. by Charles R. Acland and Eric Hoyt (review)
  2. Bregt Lameris
  3. pp. 140-143
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  1. 3-D Rarities (review)
  2. Jeremy Carr
  3. pp. 144-147
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