In this Issue

Table of Contents

From Photoplays to Movies: A Distant Reading of Cinema's Eventual Legitimation from Below

Louis Pelletier
pp. 1-34
DOI: https://doi.org/10.2979/filmhistory.30.2.01
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Anna Karenina (1914): Reconstructing and Interpreting a Lost Russian Film

Anna Kovalova
pp. 35-78
DOI: https://doi.org/10.2979/filmhistory.30.2.02
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Benjamin Chapin: "The Lincoln Man" and his Lincoln Cycle

Richard Koszarski
pp. 79-110
DOI: https://doi.org/10.2979/filmhistory.30.2.03
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"After Hollywood and Its Ever-Blue Skies, How Beautiful Paris Looks!": Jacques Feyder between France and America, 1928–1934

Barry Nevin
pp. 111-140
DOI: https://doi.org/10.2979/filmhistory.30.2.04
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Larry Ceballos as Busby Berkeley: The Credit Dispute in Footlight Parade and the Branding of "Buzz"

Michael Larocco
pp. 141-163
DOI: https://doi.org/10.2979/filmhistory.30.2.05
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"You Can't Replace Gone with the Wind with Chūshingura": China Nights and the Problem of Japanese Film Policy in Occupied Shanghai

Michael Raine
pp. 164-198
DOI: https://doi.org/10.2979/filmhistory.30.2.06
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Recent Books in Film History

pp. 199-207
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