In this Issue
Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. Its areas of interest range from the technical and entrepreneurial innovations of the early and pre-cinema experiments, through all aspects of the production, distribution, exhibition, and reception of commercial and non-commercial motion pictures.
published by
Indiana University Pressviewing issue
Volume 30, Number 2, Summer 2018Table of Contents

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View "After Hollywood and Its Ever-Blue Skies, How Beautiful Paris Looks!": Jacques Feyder between France and America, 1928–1934
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View Larry Ceballos as Busby Berkeley: The Credit Dispute in Footlight Parade and the Branding of "Buzz"
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View "You Can't Replace Gone with the Wind with Chūshingura": China Nights and the Problem of Japanese Film Policy in Occupied Shanghai
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ISSN | 1553-3905 |
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Print ISSN | 0892-2160 |
Launched on MUSE | 2018-08-23 |
Open Access | No |