1. Tulio Carella's Recife Days: Politics, Sexuality, and Performance in Orgia
  2. Severino J. Albuquerque
  3. pp. 7-21
  4. DOI: 10.1353/ltr.2018.0000
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  1. El distanciamiento brechtiano en el teatro de Santiago García (1960-1990)
  2. Janneth Aldana Cedeño
  3. pp. 23-40
  4. DOI: 10.1353/ltr.2018.0001
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  1. Un poquito más de "Danubio": Virgilio Piñera y el revisionismo absurdo
  2. Andres Amerikaner
  3. pp. 41-54
  4. DOI: 10.1353/ltr.2018.0002
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  1. Leaving Behind Ways of Knowing: Hatun Yachaywasi (1993) by G. Juan Vilca
  2. Mary Barnard
  3. pp. 55-72
  4. DOI: 10.1353/ltr.2018.0003
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  1. From Suffering to Shangri-La: Maria Irene Fornes's Musings on the Future in Enter THE NIGHT
  2. Yeliz Biber Vangölü
  3. pp. 73-89
  4. DOI: 10.1353/ltr.2018.0004
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  1. La Llorona on Stage: Re-visiting Chicana Cultural Paradigms in Josefina López's Unconquered Spirits
  2. Trevor Boffone
  3. pp. 91-107
  4. DOI: 10.1353/ltr.2018.0005
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  1. Andrés Pérez y el ensayo de su propia muerte: La huida, subjetividad, cuerpo y violencia de la historia
  2. María de la Luz Hurtado
  3. pp. 109-134
  4. DOI: 10.1353/ltr.2018.0006
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  1. La diva Virginia Fábregas: intersecciones entre su teatro y su vida, 1888-1950
  2. Ana Lidia García Peña
  3. pp. 135-153
  4. DOI: 10.1353/ltr.2018.0007
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  1. Cinco Tempos para a Morte: uma análise genética do processo de criação
  2. Gilberto Icle, Milena Ferreira Mariz Beltrão, Isadora Pillar Vieira
  3. pp. 155-172
  4. DOI: 10.1353/ltr.2018.0008
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  1. Laughing it Out: Strategies of Affectively Remembering Dictatorship in Griselda Gambaro's Antígona furiosa
  2. Marin Laufenberg
  3. pp. 173-191
  4. DOI: 10.1353/ltr.2018.0009
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  1. Cocinar y castigar: Recetario de torturas en Cocinando con Elisa de Lucía Laragione
  2. Maybel Mesa Morales
  3. pp. 193-205
  4. DOI: 10.1353/ltr.2018.0010
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  1. Revisiting the Appropriated Children: Subjectivity in Patricia Zangaro's A propósito de la duda
  2. Natacha Osenda
  3. pp. 207-224
  4. DOI: 10.1353/ltr.2018.0011
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  1. Compañía de Teatro Independiente El Rostro: 40 años haciendo teatro desde Concepción
  2. María Teresa Sanhueza
  3. pp. 225-244
  4. DOI: 10.1353/ltr.2018.0012
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  1. Towards Global Xiqu Studies: Situating Latin America on the Trans-Pacific Circuit
  2. Josh Stenberg
  3. pp. 245-264
  4. DOI: 10.1353/ltr.2018.0013
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  1. Mexico City's Spring 2017 Theatre Season
  2. Timothy G. Compton
  3. pp. 265-280
  4. DOI: 10.1353/ltr.2018.0014
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  1. XXXII Festival Iberoamericano de Teatro de Cádiz 2017: patrimonio cultural diverso, plural y solidario
  2. Miguel Ángel Giella
  3. pp. 281-292
  4. DOI: 10.1353/ltr.2018.0015
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  1. La Muestra Mexicana de Teatro se renueva
  2. Enrique Mijares Verdín
  3. pp. 293-297
  4. DOI: 10.1353/ltr.2018.0016
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  1. Bridging the Américas through Theatre: The Latinx Theatre Commons International Convening at Encuentro de las Américas
  2. Trevor Boffone
  3. pp. 299-304
  4. DOI: 10.1353/ltr.2018.0017
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  1. Foundational Arts: Mural Painting and Missionary Theater in New Spain by Michael K. Schuessler (review)
  2. Heather Allen
  3. pp. 305-306
  4. DOI: 10.1353/ltr.2018.0018
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  1. Animales salvajes sueltos en mi mente by Leyla Selman (review)
  2. Anton Pujol
  3. pp. 306-307
  4. DOI: 10.1353/ltr.2018.0019
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  1. From Scenarios to Networks. Performing the Intercultural in Colonial Mexico by Leo Cabranes-Grant (review)
  2. Jorge Téllez
  3. pp. 308-309
  4. DOI: 10.1353/ltr.2018.0020
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  1. Jorge Díaz: El anarquista insomne. Biografía de un hombre de teatro by Eduardo Guerrero (review)
  2. Juan Villegas
  3. pp. 309-310
  4. DOI: 10.1353/ltr.2018.0021
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  1. Embodying Difference: Scripting Social Images of the Female Body in Latina Theater by Linda Saborío (review)
  2. Carlos Morton
  3. pp. 310-311
  4. DOI: 10.1353/ltr.2018.0022
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