In this Issue

Table of Contents

"I Got no Problem Killing My Kin": Fury (2014) and The Evolution of The World War II Combat Film

Brian E. Crim
pp. 4-14
DOI: https://doi.org/10.1353/flm.2018.0000
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Falling Into History: Vertigo (1958) and The Time Lapse of Character

Randall Spinks
pp. 15-31
DOI: https://doi.org/10.1353/flm.2018.0001
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"Free From the Blessings of Civilization": Native Americans In Stagecoach (1939) and Other John Ford Westerns

Peter Yacavone
pp. 32-44
DOI: https://doi.org/10.1353/flm.2018.0002
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Gay Rights and The Reception of Dog Day Afternoon (1975)

Anthony Macias
pp. 45-56
DOI: https://doi.org/10.1353/flm.2018.0003
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Saving The Harold Lloyd Film Archives: Interview With Suzanne Lloyd and Richard Simonton

Steven G. Farrell, Suzanne Lloyd, Richard Simonton
pp. 57-58
DOI: https://doi.org/10.1353/flm.2018.0004
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Film, History and Memory eds. Jennie M. Carlsten, Fearghal McGarry (review)

Frans Weiser, Paul Cohen
pp. 59-61
DOI: https://doi.org/10.1353/flm.2018.0005
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The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion by Axel Bangert (review)

Thomas E. Simmons
pp. 61-63
DOI: https://doi.org/10.1353/flm.2018.0006
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Steaming into a Victorian Future: A Steampunk Anthology eds. Julie Anne Taddeo and Cynthia J. Miller (review)

Jenny Barrett
pp. 63-64
DOI: https://doi.org/10.1353/flm.2018.0007
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Sportswomen in Cinema: Film and the Frailty Myth by Nicholas Chare (review)

Zachary Ingle
pp. 65-66
DOI: https://doi.org/10.1353/flm.2018.0008
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Music for Silent Film: A Guide to North American Resources by Kendra Preston Leonard (review)

Tim Shorkey
pp. 66-67
DOI: https://doi.org/10.1353/flm.2018.0009
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Native Americans in the Movies: Portrayals from Silent Films to the Present by Michael Hilger (review)

Mª Elena Serrano Moya
pp. 68-69
DOI: https://doi.org/10.1353/flm.2018.0010
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Refocus: The Films of Delmer Daves eds. by Matthew Carter, Andrew Patrick Nelson (review)

Bernard F. Dick
pp. 70-71
DOI: https://doi.org/10.1353/flm.2018.0011
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Postfeminism and the Fatale Figure in Neo-Noir Cinema by Samantha Lindop (review)

Shannon Scott
pp. 71-73
DOI: https://doi.org/10.1353/flm.2018.0012
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Star Trek and American Television by Roberta Pearson and Maire Messenger Davies (review)

Robert Gabriel
pp. 74-75
DOI: https://doi.org/10.1353/flm.2018.0013
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World Film Locations: Liverpool eds. by Jez Conolly and Caroline Whelan (review)

Kevin M. Flanagan
pp. 76-77
DOI: https://doi.org/10.1353/flm.2018.0014
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Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome by Shawn Levy (review)

Shannon Scott
pp. 78-80
DOI: https://doi.org/10.1353/flm.2018.0015
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Hollywood Riots: Violent Crowds and Progressive Politics in American Film by Doug Dibbern (review)

Katherine Alloco
pp. 80-81
DOI: https://doi.org/10.1353/flm.2018.0016
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24 by John McCullough (review)

Cynthia Cravens
pp. 82-83
DOI: https://doi.org/10.1353/flm.2018.0017
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Reconstructing Violence: The Southern Rape Complex in Film and Literature by Deborah E. Barker (review)

Michele Curran Cornell
pp. 84-86
DOI: https://doi.org/10.1353/flm.2018.0018
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Mussolini's Dream Factory: Film Stardom in Fascist Italy by Stephen Gundle (review)

Peter Catapano
pp. 86-88
DOI: https://doi.org/10.1353/flm.2018.0019
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The Many Lives of Cy Endfield: Film Noir, the Blacklist and Zulu by Brian Neve (review)

Bernard F. Dick
pp. 89-90
DOI: https://doi.org/10.1353/flm.2018.0020
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Bad Seeds and Holy Terrors: The Child Villains of Horror Film by Dominic Lennard (review)

Amanda Greer
pp. 90-92
DOI: https://doi.org/10.1353/flm.2018.0021
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Horrors of War: The Undead on the Battlefield eds. by Cynthia J. Miller, A. Bowdoin Van Riper (review)

Kyle William Bishop
pp. 92-94
DOI: https://doi.org/10.1353/flm.2018.0022
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Political Fellini: Journey to the End of Italy by Andrea Minuz (review)

Bernard F. Dick
pp. 95-96
DOI: https://doi.org/10.1353/flm.2018.0023
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