1. "I Got no Problem Killing My Kin": Fury (2014) and The Evolution of The World War II Combat Film
  2. Brian E. Crim
  3. pp. 4-14
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  1. Falling Into History: Vertigo (1958) and The Time Lapse of Character
  2. Randall Spinks
  3. pp. 15-31
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  1. "Free From the Blessings of Civilization": Native Americans In Stagecoach (1939) and Other John Ford Westerns
  2. Peter Yacavone
  3. pp. 32-44
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  1. Gay Rights and The Reception of Dog Day Afternoon (1975)
  2. Anthony Macias
  3. pp. 45-56
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  1. Saving The Harold Lloyd Film Archives: Interview With Suzanne Lloyd and Richard Simonton
  2. Steven G. Farrell, Suzanne Lloyd, Richard Simonton
  3. pp. 57-58
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  1. Film, History and Memory eds. Jennie M. Carlsten, Fearghal McGarry (review)
  2. Frans Weiser, Paul Cohen
  3. pp. 59-61
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  1. The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion by Axel Bangert (review)
  2. Thomas E. Simmons
  3. pp. 61-63
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  1. Steaming into a Victorian Future: A Steampunk Anthology eds. Julie Anne Taddeo and Cynthia J. Miller (review)
  2. Jenny Barrett
  3. pp. 63-64
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  1. Sportswomen in Cinema: Film and the Frailty Myth by Nicholas Chare (review)
  2. Zachary Ingle
  3. pp. 65-66
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  1. Music for Silent Film: A Guide to North American Resources by Kendra Preston Leonard (review)
  2. Tim Shorkey
  3. pp. 66-67
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  1. Native Americans in the Movies: Portrayals from Silent Films to the Present by Michael Hilger (review)
  2. Mª Elena Serrano Moya
  3. pp. 68-69
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  1. Refocus: The Films of Delmer Daves eds. by Matthew Carter, Andrew Patrick Nelson (review)
  2. Bernard F. Dick
  3. pp. 70-71
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  1. Postfeminism and the Fatale Figure in Neo-Noir Cinema by Samantha Lindop (review)
  2. Shannon Scott
  3. pp. 71-73
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  1. Star Trek and American Television by Roberta Pearson and Maire Messenger Davies (review)
  2. Robert Gabriel
  3. pp. 74-75
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  1. World Film Locations: Liverpool eds. by Jez Conolly and Caroline Whelan (review)
  2. Kevin M. Flanagan
  3. pp. 76-77
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  1. Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome by Shawn Levy (review)
  2. Shannon Scott
  3. pp. 78-80
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  1. Hollywood Riots: Violent Crowds and Progressive Politics in American Film by Doug Dibbern (review)
  2. Katherine Alloco
  3. pp. 80-81
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  1. 24 by John McCullough (review)
  2. Cynthia Cravens
  3. pp. 82-83
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  1. Reconstructing Violence: The Southern Rape Complex in Film and Literature by Deborah E. Barker (review)
  2. Michele Curran Cornell
  3. pp. 84-86
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  1. Mussolini's Dream Factory: Film Stardom in Fascist Italy by Stephen Gundle (review)
  2. Peter Catapano
  3. pp. 86-88
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  1. The Many Lives of Cy Endfield: Film Noir, the Blacklist and Zulu by Brian Neve (review)
  2. Bernard F. Dick
  3. pp. 89-90
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  1. Bad Seeds and Holy Terrors: The Child Villains of Horror Film by Dominic Lennard (review)
  2. Amanda Greer
  3. pp. 90-92
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  1. Horrors of War: The Undead on the Battlefield eds. by Cynthia J. Miller, A. Bowdoin Van Riper (review)
  2. Kyle William Bishop
  3. pp. 92-94
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  1. Political Fellini: Journey to the End of Italy by Andrea Minuz (review)
  2. Bernard F. Dick
  3. pp. 95-96
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