1. Letter from the Guest Editors
  2. Brad Buckley, John Conomos
  3. pp. 1-4
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  1. Of Art and Absurdity: Military, Censorship, and Contemporary Art in Thailand
  2. Thanavi Chotpradit
  3. pp. 5-25
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  1. “Soon It Would Be Too Hot”: Revisiting The Drowned World
  2. Tracey Clement
  3. pp. 26-54
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  1. On Nature and the Tactility of the Senses in Blade Runner 2049
  2. Catherine Payne, Alexandra Pitsis
  3. pp. 55-74
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  1. Glitch_gli._ltc._
  2. Edward Colless
  3. pp. 75-89
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  1. The Early Career of Yamaguchi Katsuhiro: Vitrine Series in Historical Perspective
  2. Toshiharu Omuka
  3. pp. 90-100
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  1. Materials and Boundaries: Handiwirman Saputra + Chiba Masaya (review)
  2. Shihoko Iida, William Andrews
  3. pp. 101-106
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  1. The Arrival of New Women (review)
  2. Inaba Mai
  3. pp. 106-117
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  1. Bruce Barber: I Swear (review)
  2. Balamohan Shingade
  3. pp. 117-121
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  1. The National: New Australian Art (review)
  2. Alan Cruickshank
  3. pp. 121-130
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  1. SUPERPOSITION: Equilibrium & Engagement, 21st Biennale of Sydney (review)
  2. H. R. Hyatt-Johnston
  3. pp. 131-137
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  1. The NGV Triennial (review)
  2. Andrew Treloar
  3. pp. 137-145
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  1. Found in Translation: Design in California and Mexico, 1915–1985, Pacific Standard Time Festival: Live Art LA/LA (review)
  2. Elizabeth Deen Miller
  3. pp. 145-149
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  1. Sylvia Palacios Whitman, Pacific Standard Time Festival: Live Art LA/LA (review)
  2. Maya Gurantz
  3. pp. 149-153
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  1. Radical Women: Latin American Art, 1960–1985, Pacific Standard Time Festival: Live Art LA/LA (review)
  2. Sara Solaimani
  3. pp. 153-162
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