1. Editor's Note
  2. Helen Thomas
  3. pp. 1-2
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  1. How to Re-View Things with Words? Dance Criticism as Translation—Pina Bausch
  2. Christina Thurner
  3. pp. 4-14
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  1. Doing the Contemporary: Pina Bausch as a Conceptual Artist
  2. Gerald Siegmund
  3. pp. 15-30
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  1. Jay Pather Reimagining Site-Specific Cartographies of Belonging
  2. Ketu H. Katrak
  3. pp. 31-44
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  1. Displacing Vision: Contact Improvisation, Anarchy, and Empathy
  2. Hannah Yohalem
  3. pp. 45-61
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  1. Battling in the Bronx: Social Choreography and Outlaw Culture Among Early Hip-Hop Streetdancers in New York City
  2. Imani Kai Johnson
  3. pp. 62-76
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  1. The Oxford Handbook of Dance and Politics ed. by Rebekah Kowal, Randy Martin, and Gerald Siegmund (review)
  2. Sarah Wilbur
  3. pp. 77-88
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  1. The Oxford Handbook of Dance and Wellbeing ed. by Vicky Karkou, Sue Oliver, and Sophia Lycouris (review)
  2. Hiie Saumaa
  3. pp. 89-93
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  1. Repetition in Performance: Returns and Invisible Forces by Eirini Kartsaki (review)
  2. Lucy Weir
  3. pp. 93-95
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  1. This Is How We Dance Now! Performance in the Age of Bollywood and Reality Shows by Pallabi Chakravorty (review)
  2. Nandini Sikand
  3. pp. 95-98
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  1. Books Received
  2. pp. 99-100
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