1. Rules of Engagement: Art, Process, Protest
  2. Jonathan P. Eburne, Amy J. Elias, Melissa Karmen Lee
  3. pp. 173-185
  4. DOI: 10.1353/asa.2018.0007
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  1. Protest as Polyphony: An Interview with Raqs Media Collective
  2. Melissa Karmen Lee, Jeebesh Bagchi, Monica Narula, Shuddhabrata Sengupta
  3. pp. 187-202
  4. DOI: 10.1353/asa.2018.0008
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  1. Editors' Forum: Art, Process, Protest
  3. p. 203
  4. DOI: 10.1353/asa.2018.0009
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  1. Truth is Cultural Chauvinism
  2. Postcommodity
  3. pp. 204-207
  4. DOI: 10.1353/asa.2018.0010
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  1. How You Make Present the Work is What Makes it Political
  2. Diana Arce
  3. pp. 207-208
  4. DOI: 10.1353/asa.2018.0011
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  1. Signs of Solidarity: The Work of Dignidad Rebelde
  2. Jesus Barraza
  3. pp. 208-216
  4. DOI: 10.1353/asa.2018.0012
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  1. Woke-ish
  2. Allyson Nadia Field
  3. pp. 217-221
  4. DOI: 10.1353/asa.2018.0013
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  1. Do We need a Turing Test for Activist Art in a Bare Art World?
  2. Gregory Sholette
  3. pp. 221-230
  4. DOI: 10.1353/asa.2018.0014
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  1. Martha Does Donald
  2. Martha Wilson
  3. pp. 230-233
  4. DOI: 10.1353/asa.2018.0015
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  1. The Silent Red Thing: Self-Censorship in the Hyper-Networked Hypermarket Arts
  2. Noah Fischer
  3. pp. 233-241
  4. DOI: 10.1353/asa.2018.0016
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  1. Dancing in Exile: Performance, Protest, and the Syrian Civil War
  2. Rose Martin
  3. pp. 242-246
  4. DOI: 10.1353/asa.2018.0017
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  1. You who are About to Read we Salute You
  2. Marshall Weber
  3. pp. 247-259
  4. DOI: 10.1353/asa.2018.0018
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  1. Timelines: Legacies of White Supremacy and Racial Equality
  2. Jason Patterson
  3. pp. 260-269
  4. DOI: 10.1353/asa.2018.0019
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  1. Reimagining the Syrian Revolution
  2. Miriam Cooke
  3. pp. 269-278
  4. DOI: 10.1353/asa.2018.0020
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  1. Practices of Commoning in Recent Contemporary Art
  2. Pelin Tan
  3. pp. 278-285
  4. DOI: 10.1353/asa.2018.0021
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  1. Materializing a Gesture of Resistance
  2. Sharon Daniel
  3. pp. 285-297
  4. DOI: 10.1353/asa.2018.0022
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  1. Editor's Forum: Protest and/as Care
  2. Michelle D. Commander
  3. p. 299
  4. DOI: 10.1353/asa.2018.0023
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  1. In the Wake, a Procession
  2. Cauleen Smith
  3. pp. 300-303
  4. DOI: 10.1353/asa.2018.0024
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  1. After Over-Representation, Care
  2. Ashon Crawley
  3. pp. 303-306
  4. DOI: 10.1353/asa.2018.0025
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  1. The Problem of After
  2. Sarah Jane Cervenak
  3. pp. 306-310
  4. DOI: 10.1353/asa.2018.0026
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  1. Poetics and Care in the Wake
  2. Michelle D. Commander
  3. pp. 310-314
  4. DOI: 10.1353/asa.2018.0027
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  1. Spectral Compositions in a time of Revolt
  2. Richard Gilman-Opalsky, Stevphen Shukaitis
  3. pp. 315-334
  4. DOI: 10.1353/asa.2018.0028
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  1. Feminist Social Practice: A Manifesto
  2. Neysa Page-Lieberman, Melissa Hilliard Potter
  3. pp. 335-351
  4. DOI: 10.1353/asa.2018.0029
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  1. How to see Violence: Artistic Activism and the Radicalization of Human Rights
  2. Jennifer Ponce de León
  3. pp. 353-376
  4. DOI: 10.1353/asa.2018.0030
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  1. The Art of Resistance: Carnival Aesthetics and the Gezi Street Protests
  2. Tijen Tunali
  3. pp. 377-399
  4. DOI: 10.1353/asa.2018.0031
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  1. "Remember Marikana": Violence and Visual Activism in Post-Apartheid South Africa
  2. Kylie Thomas
  3. pp. 401-422
  4. DOI: 10.1353/asa.2018.0032
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  1. Staging Protest as Art and Pedagogy
  2. Dipti Desai
  3. pp. 423-447
  4. DOI: 10.1353/asa.2018.0033
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