In this Issue

Table of Contents

Editors’ Introduction

Eve Tavor Bannet, Roxann Wheeler
pp. ix-x
DOI: https://doi.org/10.1353/sec.2018.0000
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Editorial Readers for Volume 47

pp. xi-xii
DOI: https://doi.org/10.1353/sec.2018.0001
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Tribute to Srinivas Aravamudan

Felicity Nussbaum
pp. 3-5
DOI: https://doi.org/10.1353/sec.2018.0002
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From Enlightenment to the Anthropocene: Vico Behind or Ahead of His Time?

Srinivas Aravamudan
pp. 7-25
DOI: https://doi.org/10.1353/sec.2018.0003
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Panel Introduction: Labor, Industry, and Technology

Hazel Gold
pp. 29-32
DOI: https://doi.org/10.1353/sec.2018.0004
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Spanish Orphans, British Prisoners, and the American Revolution: Warfare, Social Welfare, and Technical Training

Valentina Tikoff
pp. 33-51
DOI: https://doi.org/10.1353/sec.2018.0005
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The Cyclops in the Vale: Mythological and Fantastic Representations of Industry

Susan Egenolf
pp. 53-70
DOI: https://doi.org/10.1353/sec.2018.0006
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The Mechanical Plantation: Picturing Sugar Production in the Encyclopédie

Susan H. Libby
pp. 71-88
DOI: https://doi.org/10.1353/sec.2018.0007
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Scale and Skill in British Print Culture: Reading the Technologies, 1680–1820

Jon Klancher
pp. 89-106
DOI: https://doi.org/10.1353/sec.2018.0008
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Selfiehood: Singularity, Celebrity, and the Enlightenment

Shearer West
pp. 109-130
DOI: https://doi.org/10.1353/sec.2018.0009
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Panel Introduction: Inside the Artist’s Studio

Heather McPherson
pp. 133-135
DOI: https://doi.org/10.1353/sec.2018.0010
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A Celebrity Artist’s Studio: Angelica Kauffman in Rome

Wendy Wassyng Roworth
pp. 137-150
DOI: https://doi.org/10.1353/sec.2018.0011
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The Myth of the Artist in George Morland’s Studio

Francesca Bove
pp. 151-162
DOI: https://doi.org/10.1353/sec.2018.0012
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Madame Récamier’s Serial Portraits: Celebrity as Cultural Currency

Heather McPherson
pp. 163-184
DOI: https://doi.org/10.1353/sec.2018.0013
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Mediating Cultural Memory: Ireland and the “Glorious Revolution”

Leith Davis
pp. 185-205
DOI: https://doi.org/10.1353/sec.2018.0014
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Forum Introduction: Intention and the Eighteenth-Century Text

Mark Vareschi, Jess Keiser
pp. 209-211
DOI: https://doi.org/10.1353/sec.2018.0015
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The Best of Intentions

Stephanie Insley Hershinow
pp. 213-216
DOI: https://doi.org/10.1353/sec.2018.0016
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A Tissue of False Memories

Sarah Ellenzweig
pp. 217-221
DOI: https://doi.org/10.1353/sec.2018.0017
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Art, Intention, and the Constitutive “I”

Edmund J. Goehring
pp. 223-227
DOI: https://doi.org/10.1353/sec.2018.0018
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Why Memory Matters: Surviving Intentions

Sarah Eron
pp. 229-234
DOI: https://doi.org/10.1353/sec.2018.0019
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Incoherent Intentions and the Need for Narrative

Thomas Salem Manganaro
pp. 235-239
DOI: https://doi.org/10.1353/sec.2018.0020
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Sexual Intention in Pornography

Kathleen Lubey
pp. 241-244
DOI: https://doi.org/10.1353/sec.2018.0021
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Forum Introduction Tolerance, Free Speech, and Civility from Voltaire to Charlie Hebdo

Dena Goodman
pp. 247-250
DOI: https://doi.org/10.1353/sec.2018.0022
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The Mahomet Paradox: The Necessity of an Impossible Text

Jeffrey M. Leichman
pp. 251-255
DOI: https://doi.org/10.1353/sec.2018.0023
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The Ambivalence of Mockery

Reginald McGinnis
pp. 257-260
DOI: https://doi.org/10.1353/sec.2018.0024
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Voltaire, Tolerance, Indifférence, and the Limits of Free Speech

John R. Iverson
pp. 261-264
DOI: https://doi.org/10.1353/sec.2018.0025
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Radical Islam, Tolerance, and the Enlightenment

Fayçal Falaky
pp. 265-268
DOI: https://doi.org/10.1353/sec.2018.0026
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Dissensus and Toleration: Reconsidering Tolerance in the Age of Enlightenment

Ourida Mostefai
pp. 269-273
DOI: https://doi.org/10.1353/sec.2018.0027
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On Giving and Taking Offense

Elena Russo
pp. 275-279
DOI: https://doi.org/10.1353/sec.2018.0028
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Contributors to Volume 47

pp. 281-284
DOI: https://doi.org/10.1353/sec.2018.0029
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Index

pp. 289-293
DOI: https://doi.org/10.1353/sec.2018.0030
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Volume 46, 2017

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Volume 48, 2019