1. Editors’ Introduction
  2. Eve Tavor Bannet, Roxann Wheeler
  3. pp. ix-x
  4. DOI: 10.1353/sec.2018.0000
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  1. Editorial Readers for Volume 47
  3. pp. xi-xii
  4. DOI: 10.1353/sec.2018.0001
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  1. Tribute to Srinivas Aravamudan
  2. Felicity Nussbaum
  3. pp. 3-5
  4. DOI: 10.1353/sec.2018.0002
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  1. From Enlightenment to the Anthropocene: Vico Behind or Ahead of His Time?
  2. Srinivas Aravamudan
  3. pp. 7-25
  4. DOI: 10.1353/sec.2018.0003
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  1. Panel Introduction: Labor, Industry, and Technology
  2. Hazel Gold
  3. pp. 29-32
  4. DOI: 10.1353/sec.2018.0004
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  1. Spanish Orphans, British Prisoners, and the American Revolution: Warfare, Social Welfare, and Technical Training
  2. Valentina Tikoff
  3. pp. 33-51
  4. DOI: 10.1353/sec.2018.0005
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  1. The Cyclops in the Vale: Mythological and Fantastic Representations of Industry
  2. Susan Egenolf
  3. pp. 53-70
  4. DOI: 10.1353/sec.2018.0006
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  1. The Mechanical Plantation: Picturing Sugar Production in the Encyclopédie
  2. Susan H. Libby
  3. pp. 71-88
  4. DOI: 10.1353/sec.2018.0007
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  1. Scale and Skill in British Print Culture: Reading the Technologies, 1680–1820
  2. Jon Klancher
  3. pp. 89-106
  4. DOI: 10.1353/sec.2018.0008
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  1. Selfiehood: Singularity, Celebrity, and the Enlightenment
  2. Shearer West
  3. pp. 109-130
  4. DOI: 10.1353/sec.2018.0009
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  1. Panel Introduction: Inside the Artist’s Studio
  2. Heather McPherson
  3. pp. 133-135
  4. DOI: 10.1353/sec.2018.0010
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  1. A Celebrity Artist’s Studio: Angelica Kauffman in Rome
  2. Wendy Wassyng Roworth
  3. pp. 137-150
  4. DOI: 10.1353/sec.2018.0011
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  1. The Myth of the Artist in George Morland’s Studio
  2. Francesca Bove
  3. pp. 151-162
  4. DOI: 10.1353/sec.2018.0012
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  1. Madame Récamier’s Serial Portraits: Celebrity as Cultural Currency
  2. Heather McPherson
  3. pp. 163-184
  4. DOI: 10.1353/sec.2018.0013
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  1. Mediating Cultural Memory: Ireland and the “Glorious Revolution”
  2. Leith Davis
  3. pp. 185-205
  4. DOI: 10.1353/sec.2018.0014
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  1. Forum Introduction: Intention and the Eighteenth-Century Text
  2. Mark Vareschi, Jess Keiser
  3. pp. 209-211
  4. DOI: 10.1353/sec.2018.0015
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  1. The Best of Intentions
  2. Stephanie Insley Hershinow
  3. pp. 213-216
  4. DOI: 10.1353/sec.2018.0016
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  1. A Tissue of False Memories
  2. Sarah Ellenzweig
  3. pp. 217-221
  4. DOI: 10.1353/sec.2018.0017
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  1. Art, Intention, and the Constitutive “I”
  2. Edmund J. Goehring
  3. pp. 223-227
  4. DOI: 10.1353/sec.2018.0018
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  1. Why Memory Matters: Surviving Intentions
  2. Sarah Eron
  3. pp. 229-234
  4. DOI: 10.1353/sec.2018.0019
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  1. Incoherent Intentions and the Need for Narrative
  2. Thomas Salem Manganaro
  3. pp. 235-239
  4. DOI: 10.1353/sec.2018.0020
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  1. Sexual Intention in Pornography
  2. Kathleen Lubey
  3. pp. 241-244
  4. DOI: 10.1353/sec.2018.0021
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  1. Forum Introduction Tolerance, Free Speech, and Civility from Voltaire to Charlie Hebdo
  2. Dena Goodman
  3. pp. 247-250
  4. DOI: 10.1353/sec.2018.0022
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  1. The Mahomet Paradox: The Necessity of an Impossible Text
  2. Jeffrey M. Leichman
  3. pp. 251-255
  4. DOI: 10.1353/sec.2018.0023
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  1. The Ambivalence of Mockery
  2. Reginald McGinnis
  3. pp. 257-260
  4. DOI: 10.1353/sec.2018.0024
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  1. Voltaire, Tolerance, Indifférence, and the Limits of Free Speech
  2. John R. Iverson
  3. pp. 261-264
  4. DOI: 10.1353/sec.2018.0025
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  1. Radical Islam, Tolerance, and the Enlightenment
  2. Fayçal Falaky
  3. pp. 265-268
  4. DOI: 10.1353/sec.2018.0026
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  1. Dissensus and Toleration: Reconsidering Tolerance in the Age of Enlightenment
  2. Ourida Mostefai
  3. pp. 269-273
  4. DOI: 10.1353/sec.2018.0027
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  1. On Giving and Taking Offense
  2. Elena Russo
  3. pp. 275-279
  4. DOI: 10.1353/sec.2018.0028
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  1. Contributors to Volume 47
  3. pp. 281-284
  4. DOI: 10.1353/sec.2018.0029
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  1. Index
  3. pp. 289-293
  4. DOI: 10.1353/sec.2018.0030
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