In this Issue

Table of Contents

Introduction

Aengus Ward
pp. 1-6
DOI: https://doi.org/10.1353/dph.2018.0000
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Digital versus Analogue Textual Scholarship or The Revolution is Just in the Title

Barbara Bordalejo
pp. 7-28
DOI: https://doi.org/10.1353/dph.2018.0001
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On Digital-Medieval Manuscript CultureA Tentative Manifesto

Heather Bamford, Emily C. Francomano
pp. 29-45
DOI: https://doi.org/10.1353/dph.2018.0002
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The Practicalities of Collaboratively Digitally Editing Medieval ProseThe Estoria de Espanna Digital Project as a Case Study

Polly Duxfield
pp. 46-64
DOI: https://doi.org/10.1353/dph.2018.0003
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The Estoria de Espanna DigitalCollating Medieval Prose-Challenges… and More Challenges

Aengus Ward
pp. 65-92
DOI: https://doi.org/10.1353/dph.2018.0004
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Invisible Translator, Visible AuthorMedieval Authorship Verification Through Modern Translation

Brian J. Reilly
pp. 93-123
DOI: https://doi.org/10.1353/dph.2018.0005
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Voice in Later Medieval English Literature: Public Interiorities by David Lawton (review)

James B. Harr III
pp. 124-126
DOI: https://doi.org/10.1353/dph.2018.0006
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Medieval Exegesis and Religious Difference: Commentary, Conflict, and Community in the Premodern Mediterranean ed. by Ryan Szpiech (review)

Steven J. McMichael
pp. 127-130
DOI: https://doi.org/10.1353/dph.2018.0007
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Piety in Pieces: How Medieval Readers Customized their Manuscripts by Kathryn M. Rudy (review)

Christine Schott
pp. 131-134
DOI: https://doi.org/10.1353/dph.2018.0008
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