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Table of Contents

  1. Nowhere Place
  2. Heather Johnson
  3. pp. 9-21
  4. DOI: https://doi.org/10.1353/psg.2018.0001
  5. restricted access
  1. Two Eves, and: Cenotaph, and: Ode to Branca
  2. Valzhyna Mort
  3. pp. 22-29
  4. DOI: https://doi.org/10.1353/psg.2018.0002
  5. restricted access
  1. The Opening, and: Flight, and: The Mother
  2. Cynthia Hogue
  3. pp. 30-32
  4. DOI: https://doi.org/10.1353/psg.2018.0003
  5. restricted access
  1. Lip Liner to Hillary
  2. Marianne Kunkel
  3. p. 33
  4. DOI: https://doi.org/10.1353/psg.2018.0004
  5. restricted access
  1. Babies in the Water
  2. Molly Quinn
  3. pp. 34-44
  4. DOI: https://doi.org/10.1353/psg.2018.0005
  5. restricted access
  1. Sayonara, and: Blue Door, and: The Tattooist
  2. Hannah Lowe
  3. pp. 45-49
  4. DOI: https://doi.org/10.1353/psg.2018.0006
  5. restricted access
  1. Shock Value, and: Dispatches from the Moon
  2. Hannah Kroonblawd
  3. pp. 50-53
  4. DOI: https://doi.org/10.1353/psg.2018.0007
  5. restricted access
  1. Niagara, and: Spy
  2. Bruce Bond
  3. pp. 54-57
  4. DOI: https://doi.org/10.1353/psg.2018.0008
  5. restricted access
  1. sonic icons, and: notes on elegy
  2. Nathasha Sajé
  3. pp. 58-61
  4. DOI: https://doi.org/10.1353/psg.2018.0009
  5. restricted access
  1. Your Rose Meditative
  2. Joannie Stangeland
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/psg.2018.0010
  5. restricted access
  1. On certain days I drive the long way home, and: Some Small Care, and: End of Summer
  2. Christine Stroud
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/psg.2018.0011
  5. restricted access
  1. Something
  2. William Davis
  3. p. 67
  4. DOI: https://doi.org/10.1353/psg.2018.0012
  5. restricted access
  1. The Candidate Pivots Toward the Middle in Time for the General Election
  2. Amorak Huey
  3. p. 68
  4. DOI: https://doi.org/10.1353/psg.2018.0013
  5. restricted access
  1. Sleeping in a Field, and: For Every Shadow
  2. Triin Paja
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/psg.2018.0014
  5. restricted access
  1. Master, and: Appeal to a Grizzly Bear
  2. Austen Leah Rosenfeld
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/psg.2018.0015
  5. restricted access
  1. Seventeen, and: Glass City
  2. Julie E. Bloemeke
  3. pp. 75-78
  4. DOI: https://doi.org/10.1353/psg.2018.0016
  5. restricted access
  1. Lilacs
  2. May-lee Chai
  3. pp. 79-84
  4. DOI: https://doi.org/10.1353/psg.2018.0017
  5. restricted access
  1. Exact Location of the Fault, and: The Dog (Six Years Later)
  2. Hillery Stone
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/psg.2018.0018
  5. restricted access
  1. Solstice, and: Milk
  2. Wendy Wisner
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/psg.2018.0019
  5. restricted access
  1. Bag Limit: 15 Mourning Doves
  2. Beth McKinney
  3. p. 89
  4. DOI: https://doi.org/10.1353/psg.2018.0020
  5. restricted access
  1. your daughter is a liar
  2. Sara Ryan
  3. p. 90
  4. DOI: https://doi.org/10.1353/psg.2018.0021
  5. restricted access
  1. Immortality, and: The Visitation, and: Casanova: A Translation from Fellini
  2. Yun Wang
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/psg.2018.0022
  5. restricted access
  1. Daughterling, and: Intersections
  2. Chelsea Dingman
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/psg.2018.0023
  5. restricted access
  1. Hearing It
  2. Emily Oliver
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/psg.2018.0024
  5. restricted access
  1. Assist
  2. Mira Rosenthal
  3. p. 97
  4. DOI: https://doi.org/10.1353/psg.2018.0025
  5. restricted access
  1. A Consolation: Permitting Mourning, and: Stripped of leaves, the uppermost branches still bear fruit
  2. Hyejung Kook
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/psg.2018.0026
  5. restricted access
  1. Balsero
  2. Orlando Ricardo Menes
  3. p. 100
  4. DOI: https://doi.org/10.1353/psg.2018.0027
  5. restricted access
  1. Gathering at the Hearth
  2. Doug Ramspeck
  3. p. 101
  4. DOI: https://doi.org/10.1353/psg.2018.0028
  5. restricted access
  1. "Wind Telephone", and: Sermon
  2. Nicholas Samaras
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/psg.2018.0029
  5. restricted access
  1. Manuscript
  2. Christopher Bolin
  3. p. 105
  4. DOI: https://doi.org/10.1353/psg.2018.0030
  5. restricted access
  1. Invocation, and: Fire Starter
  2. Alycia Pirmohamed
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/psg.2018.0031
  5. restricted access
  1. from The Magdalene Tower
  2. Arra L. Ross
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/psg.2018.0032
  5. restricted access
  1. St. Louis, and: Selah
  2. Joshua Kryah
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/psg.2018.0033
  5. restricted access
  1. The Opposite of Heaven, and: In Fátima, and: Fatigue Fugue
  2. Jacques J. Rancourt
  3. pp. 115-119
  4. DOI: https://doi.org/10.1353/psg.2018.0034
  5. restricted access
  1. Box of Stars
  2. Willie Lin
  3. p. 120
  4. DOI: https://doi.org/10.1353/psg.2018.0035
  5. restricted access
  1. Variations on Prayer and the Color Brown, and: Post Diaspora
  2. Michelle Peñaloza
  3. pp. 121-127
  4. DOI: https://doi.org/10.1353/psg.2018.0036
  5. restricted access
  1. The water insists on taking everything
  2. Laura McCullough
  3. p. 128
  4. DOI: https://doi.org/10.1353/psg.2018.0037
  5. restricted access
  1. Bad Dog
  2. Natalie Wee
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/psg.2018.0038
  5. restricted access
  1. Elsa Schiaparelli and Miuccia Prada, at the Met, and: Dear Honeysuckled, Dear Fire Department
  2. Marcela Sulak
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/psg.2018.0039
  5. restricted access
  1. After the Prognosis
  2. Charlotte Pence
  3. p. 134
  4. DOI: https://doi.org/10.1353/psg.2018.0040
  5. restricted access
  1. Doll, House
  2. Tanya Grae
  3. p. 135
  4. DOI: https://doi.org/10.1353/psg.2018.0041
  5. restricted access
  1. Indifferent Paradise, and: What Fresh Hell Is This?, and: Chaos Muppet
  2. Mary-Alice Daniel
  3. pp. 136-139
  4. DOI: https://doi.org/10.1353/psg.2018.0042
  5. restricted access
  1. The Iberian Lynx
  2. John Poch
  3. p. 140
  4. DOI: https://doi.org/10.1353/psg.2018.0043
  5. restricted access
  1. Becoming Miriam
  2. Meg Eden
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/psg.2018.0044
  5. restricted access
  1. High Diver, 1929
  2. Lee Martin
  3. pp. 144-147
  4. DOI: https://doi.org/10.1353/psg.2018.0045
  5. restricted access
  1. La Ruta
  2. Patricia Engel
  3. pp. 148-167
  4. DOI: https://doi.org/10.1353/psg.2018.0046
  5. restricted access
  1. What Birds Sing of in Libya, and: Resurrection
  2. Gbenga Adeoba
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/psg.2018.0047
  5. restricted access
  1. Exile Sonnet, and: Julia Speaks of Shaving
  2. Hannah Louise Poston
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/psg.2018.0048
  5. restricted access
  1. Drawing from memory, and: Cold, and: At the Black Sea
  2. Claudia Serea
  3. pp. 172-175
  4. DOI: https://doi.org/10.1353/psg.2018.0049
  5. restricted access

Reviews

  1. Eventually One Dreams the Real Thing by Marianne Boruch (review)
  2. Ed O'Casey
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/psg.2018.0050
  5. restricted access
  1. Apsara in New York by Sokunthary Svay (review)
  2. JP Allen
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/psg.2018.0051
  5. restricted access
  1. Barbie Chang by Victoria Chang (review)
  2. Asa Drake
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/psg.2018.0052
  5. restricted access
  1. Contributors
  3. pp. 183-190
  4. DOI: https://doi.org/10.1353/psg.2018.0053
  5. restricted access