1. People, Ideas, Things, and Places: The Tao of Notes For 75 Years
  2. David Hunter
  3. pp. 9-38
  4. DOI: 10.1353/not.2018.0063
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  1. Music and the Armed Services Edition
  2. Steven Plank
  3. pp. 39-52
  4. DOI: 10.1353/not.2018.0064
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  1. "A Musicological Sweatshop": Making an Inventory of the Music Manuscripts of John Cage, 1992–1993
  2. Paul van Emmerik
  3. pp. 53-63
  4. DOI: 10.1353/not.2018.0065
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  1. Notes for Notes
  2. Deborah Campana
  3. pp. 64-69
  4. DOI: 10.1353/not.2018.0066
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  1. A Sociable Moment: Opera and Festive Culture in Baroque Siena by Colleen Reardon (review)
  2. Kimberly Beck Hieb
  3. pp. 70-72
  4. DOI: 10.1353/not.2018.0067
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  1. Dance and Drama in French Baroque Opera: A History by Rebecca Harris-Warrick (review)
  2. Chantal Frankenbach
  3. pp. 72-75
  4. DOI: 10.1353/not.2018.0068
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  1. Exploring the World of J. S. Bach: A Traveler's Guide by Robert L. Marshall and Traute M. Marshall (review)
  2. Jaime Carini
  3. pp. 75-78
  4. DOI: 10.1353/not.2018.0069
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  1. Bach and the Organ ed. by Matthew Dirst (review)
  2. Joy Schroeder
  3. pp. 78-80
  4. DOI: 10.1353/not.2018.0070
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  1. Songs without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760 by Sandra Mangsen (review)
  2. Alison C. Desimone
  3. pp. 81-84
  4. DOI: 10.1353/not.2018.0071
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  1. The Russian Violin School: The Legacy of Yuri Yankelevich trans. and ed. by Masha Lankovsky (review)
  2. Caitlin Mackenzie Mannion
  3. pp. 84-86
  4. DOI: 10.1353/not.2018.0072
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  1. Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany by Alexander Stefaniak (review)
  2. Erinn Knyt
  3. pp. 86-89
  4. DOI: 10.1353/not.2018.0073
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  1. Schumann's Music and E. T. A. Hoffmann's Fiction by John MacAuslan (review)
  2. Yannis Rammos
  3. pp. 89-93
  4. DOI: 10.1353/not.2018.0074
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  1. Erik Satie: A Parisian Composer and His World by Caroline Potter (review)
  2. Sarah Iker
  3. pp. 93-95
  4. DOI: 10.1353/not.2018.0075
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  1. Plague and Music in the Renaissance by Remi Chiu (review)
  2. Chadwick Jenkins
  3. pp. 98-101
  4. DOI: 10.1353/not.2018.0077
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  1. Benigno Zerafa (1726–1804) and the Neapolitan Galant Style by Frederick Aquilina (review)
  2. Guido Olivieri
  3. pp. 101-103
  4. DOI: 10.1353/not.2018.0078
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  1. Mozart in Prague: Essays on Performance, Patronage, and Reception ed. by Kathryn L. Libin (review)
  2. Erick Arenas
  3. pp. 103-105
  4. DOI: 10.1353/not.2018.0079
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  1. Perspectives for Contemporary Music in the 21st Century eds. by Dániel Péter Biró and Kai Johannes Polzhofer (review)
  2. Paul V. Miller
  3. pp. 106-109
  4. DOI: 10.1353/not.2018.0080
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  1. Environmental Sound Artists: In Their Own Words by Frederick Bianchi and V. J. Manzo (review)
  2. Ely Lyonblum
  3. pp. 109-111
  4. DOI: 10.1353/not.2018.0081
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  1. Movies, Moves and Music: The Sonic World of Dance Films eds. by Mark Evans and Mary Fogarty (review)
  2. Elizabeth Hoover
  3. pp. 111-114
  4. DOI: 10.1353/not.2018.0082
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  1. A Cole Porter Companion eds. by Don M. Randel, Matthew Shaftel, and Susan Forscher Weiss (review)
  2. Elizabeth Sallinger
  3. pp. 114-116
  4. DOI: 10.1353/not.2018.0083
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 122-130
  4. DOI: 10.1353/not.2018.0086
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  1. New Periodicals
  2. Lindsay Hansen Brown
  3. pp. 131-133
  4. DOI: 10.1353/not.2018.0087
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  1. Coro by iCadenza (review)
  2. Mallory Sajewski
  3. pp. 134-135
  4. DOI: 10.1353/not.2018.0093
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  1. Lessons in Composition from the Eighteenth Century
  2. Sean Curtice
  3. pp. 136-142
  4. DOI: 10.1353/not.2018.0088
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  1. Gounod's Faust
  2. Sean M. Parr
  3. pp. 142-146
  4. DOI: 10.1353/not.2018.0089
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  1. Janáček's the Makropulos Affair
  2. John Tyrrell
  3. pp. 146-152
  4. DOI: 10.1353/not.2018.0090
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 153-161
  4. DOI: 10.1353/not.2018.0091
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  1. Index to Advertisers
  2. p. 162
  3. DOI: 10.1353/not.2018.0092
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